Top 10 Music Producers

The annals of Pop Music history are rightly filled with the talented and charismatic men and women who played, sang, and danced their way into the public consciousness. Fans memorize their songs, see their shows, and most importantly, buy their records. But great albums and singles don’t just come out of nowhere. It takes a real professional to take the talent of an artist and shape and present it in the best way possible. Record companies pay big bucks to ensure that the talent they find records albums that people want to buy. And the people they pay are producers. Here is a list of ten great producers who not only served their record company bosses some of the biggest selling records in history, but also allowed the singers and musicians they worked with to sound their very best.

10. The Neptunes

The-Neptunes

Baby, I Got Your Money (NSFW version) Ol’ Dirty Bastard

The only duo on the list, The Neptunes- composed of Pharrell Williams and Chad Hugo- were basically responsible for the sound of almost every top ten record at the turn of the century. Starting with well received singles for hip hop artists like Ol’ Dirty Bastard and Busta Rhymes, they quickly became the most sought after producers in the business. Impressed with their unique synth and sample heavy mixes, everybody and their uncle wanted to work with The Neptunes. They were soon producing big records for everybody from Britney Spears and Justin Timberlake to Snoop Dogg. They remixed just about everyone, and in the process reached the rare status of superstar producers. Their influence was so great at one point that artists and labels used them to market their hits. Of course it didn’t hurt that Williams sang on most of their tracks and often had just as much ormore talent than some of the artists they were working with. There are a lot of famous producers in pop music, but few became stars in the way that The Neptunes have.

9. Butch Vig

ButchVig

Today Smashing Pumpkins

After a somewhat successful stint as a drummer and soundtrack composer (he even contributed a track to the b-movie classic Slumber Party Massacre), Butch Vig gave up performing and started his own record label and recording studio. From almost the very beginning of his producing career, Vig made a huge name for himself working on big records from the emerging indie scene’s best groups. Behind the controls for such milestone records as Gish and Siamese Dream by The Smashing Pumpkins and one of the most important rock records of all time, Nevermind by Nirvana, Butch Vig took the raw, grungy sounds of the alternative scene and polished them into pop classics that crossed over but lost none of their authenticity or grit. After helping to redefine what rock and roll could sound like, Vig returned to performing with the mega-successful band Garbage. He still produces for bands like The Foo Fighters and others, but he made his mark bringing a clear, crisp sheen to the greatest grunge records ever released.

8. Daniel Lanois

daniel-lanois

Don’t Give Up Peter Gabriel featuring Kate Bush

If you bought a modern rock record in the mid to late 80s, chances are you’ve heard the production of Daniel Lanois. Responsible for the slick, smoky sound of such classic records as The Unforgettable Fire and The Joshua Tree for U2 and So by Peter Gabriel, Lanois’ work was all over the radio and video channels. A successful solo artist and multi-instrumentalist in his own right, Lanois brought an intensity and sense of perfection to his production work. Although his recording sessions are famously contentious, groups returned to him again and again for the sound he could bring to their albums and the quality work he could get out of them. One of Lanois’ greatest strengths is his ability to make synthesizers and other electronic instruments sound organic. Even in the 80s, when most pop music sounded like auditory plastic, Lanois’ (and his frequent collaborator Brian Eno) skill at making music sound natural allowed artists to explore new sounds while still maintaining an authentic, natural sound. And one that’s unmistakenly influenced by Daniel Lanois.

7. Todd Rundgren

todd rundgren

Paradise By The Dashboard Light Meatloaf

If Daniel Lanois was the producer who defined what great rock records sounded like in the 1980s, Todd Rundgren did the same thing in the 1970s. Rundgren started as a guitarist and singer for a garage rock band called Nazz. Unsatisfied with the sound of their records, Rundgren taught himself how to engineer and produce albums. When Nazz floundered, he turned to producing full time and amassed a resume of some great records. Rundgren produced watershed albums for rock royalty like The Band, Hall and Oates, Patti Smith, Cheap Trick, and countless others. He produced and played lead guitar one of the biggest records of all time- Meat Loaf’s Bat out of Hell. Never satisfied with previous work, Rundgren continued to record his own records solo and with various groups and has become one of rock’s great experimenters and early adopters of new technology. He’s always been an innovator and always been one of the great rock and roll producers.

6. T-Bone Burnett

T_Bone_Burnett_

Down in the River To Pray Alison Krauss

Few people have done as much as musician, songwriter and producer T-Bone Burnett to keep classic American music in the public eye. As a legendary producer and soundtrack supervisor, Burnett has had a hand in some of the most popular roots and traditional albums of the last thirty years. Whenever an artist wants to record an album of traditional music, they usually turn to Burnett to get the songs and sound they want. Elvis Costello, Robert Plant, Allison Krauss, and others have all recorded roots albums with Burnett, whose musicianship and knack for recording helped them revive interest and sales in the genre. Burnett has also been an influential soundtrack coordinator, overseeing such classics as The Big Lebowski and O Brother, Where Art Thou? When he isn’t busy putting together great records, he also helps actors like Joaquin Phoenix and Reese Witherspoon not make total fools of themselves when they portray musicians on screen. Burnett also produced a lot of huge pop records for groups like The Counting Crows and The Wallflowers, but don’t hold that against him.

5. Dr. Dre

DrDre

Gin and Juice (Uncensored Version) Snoop Dogg

Rock and Roll isn’t the only genre with super producers. In the 80s, a kid from Los Angeles called Andre Romelle Young (better known as Dr. Dre) was busy defining the sound of West Coast rap music and helping create the careers of the genre’s biggest acts.. After a successful start as a local D.J., Dr Dre met up with an enterprising drug dealer and rapper called Eazy-E to form NWA. With Dre producing, the group shot to almost instant national fame and notoriety with their raw sound and controversial lyrics. Once the group dissolved over financial problems, Dre embarked on a successful solo career and became a producer for just about every rap artist who mattered. Besides his own platinum albums, he worked on hit records for Snoop Dogg, 2Pac, Eminem, 50 Cent, The Game, and others. Influenced by funk stalwarts like George Clinton and Curtis Mayfield, Dr. Dre avoided samples, preferring the flexibility of using live musicians to create his beats. The resulting tracks were heavy on synthesizers and keyboards, creating a unique sound that came to dominate the West Coast scene and continues to influence hip hop records to this day.

4. Sam Philips

sam phillips

Rocket 88 Ike Turner/ Jackie Brenston

When young Sam Phillips realized he didn’t have enough money to pursue his dream of being a lawyer, he settled for his second choice and went to broadcasting school. The legal system’s loss was rock and roll’s undying gain. Starting a little label called Sun Records, Sam Phillips was responsible for discovering some of early rock’s most influential artists. Elvis Presley, Johnny Cash, B.B. King, Jerry Lee Lewis, Howlin’ Wolf, and Carl Perkins were among the rock gods who laid down tracks overseen by Phillips. An artist’s producer first and foremost, he allowed young singers like Elvis to play around in the studio and find their way naturally to the best take. Less interested in audio perfection than most producers, Phillips chose the takes he felt best captured the emotion of the song and the people performing it. One of the architects of rock music, Phillips will always be remembered for his fantastic ear for new talent and his ability to get real, raw performances out of it. A lot of people have claimed to have invented Rock and Roll, but few people have as strong a claim as Sam Phillips.

3. Berry Gordy

barry gordy

My Girl The Temptations

Berry Gordy revolutionized popular music and basically created a brand new genre with his star-packed record label Motown. Assembling perhaps the greatest collection of musical talent in the history of popular music, Gordy brought the world The Temptations, Smokey Robinson and the Miracles, Marvin Gaye, the Supremes, The Jackson 5, Stevie Wonder and many more. Gordy knew how to spot talent, but more importantly, he really knew how to package and market that talent. By creating a wholesome image for his stable of singers, he was able to bring Black American music to mainstream white audiences in a way no one else ever has. But all the marketing in the world wouldn’t have made a difference if the music wasn’t good. And boy was Motown music good. Gordy employed a small army of incredibly talented song writers and session musicians and had a magician’s knack for matching artists to songs. Despite the long whispered rumors and accusations that he was a control freak who exploited his artists, Gordy’s legacy in popular music is forever cemented. The guy produced “My Girl.” If that isn’t worth a lifetime pass, what is?

2. Phil Spector

Phil Spector

Then He Kissed Me The Crystals

While Barry Gordy was busy creating the Motown sound to great acclaim and sales in Detroit, a musician, songwriter and session player called Phil Spector was putting the final touches on one of the other trademark sounds of the 60s. Dubbed by Spector “The Wall of Sound” it involved densely layered multiple tracks, plenty of echo, and a mix custom designed to sound great in mono on AM radio and jukeboxes. The technique allowed Spector to create single after single of lushly arranged pop masterpieces and create a reputation for himself bigger than the artists he produced. In later years, he worked extensively with former Beatles John Lennon and George Harrison, producing Let it Be (without Paul McCartney’s blessing) and several of their solo hits. Still incorporating the Wall of Sound technique, he produced timeless Lennon solo tracks like Happy Christmas (War is Over) and Imagine. Unfortunately, Spector’s increasingly erratic behavior (and his penchant for pulling guns on the artists he worked with), led to a slow demise of his career and reputation. Still, his legacy is firmly cemented in rock history and his songs still define classic rock to this day.

1. George Martin

George-Martin

Strawberry Fields Forever The Beatles

On February 13th, 1962, a record producer called George Martin had the most important meeting in the history of pop music. Already a successful producer of classical albums, cast recordings of musicals, and comedy acts, Martin was interested in branching out to rock and roll. Auditioning a young group of Liverpool musicians, he initially wasn’t all that impressed with their skill, but liked their vocals and personality. Martin swallowed his reservations and- after firing their drummer- signed the Beatles to a recording contract. Martin nurtured the group through their first recording sessions and helped Paul McCartney and John Lennon shape and hone their massive, but still raw, talents. Under his guidance, the two songwriters, along with George and Ringo, blossomed into the greatest band of all time. The Beatles wrote great songs, but they recorded amazing records. Working with Martin, they expanded the boundaries of pop music and smashed all preconceived notions of what a rock and roll record could sound like. Martin was an old hand at producing, but he shared a love of experimentation and helped the Beatles bring classical instruments, sound effects, and studio tricks to their records. George Martin produced a lot of other groups in his career, but he’ll always be remembered for creating the greatest pop records the world has ever heard.

Top 10 Unique Post-Oscar Acting Careers

After winning an Oscar, an actor’s career is usually marked by the question: Did they live up to the award or not? Here are 10 Oscar-winning actors who have gone in completely different directions.

10. Donna Reed-Riding the Highs and Lows of Television

Best Supporting Actress for From Here to Eternity (1953)

Donna Reed

Reed’s career after winning her Oscar was mostly in television. In 1958, she starred in The Donna Reed Show, which was produced by her husband. While Reed won her Oscar playing a prostitute, her show was so wholesome that, according to TV.com, it “won many awards from various civic, educational, and medical groups due to its handling of topics like adoption, prescription drug abuse, and home safety.” Since this was the 50’s and that’s what was popular on television, it was a big hit. Her other notable TV role, on Dallas 20 years later, was much less well-received. She was hired as a replacement actress for the character of Elle Ewing when original actress Barbara del Gettes left for health reasons. Accepting a different actress for the same character was not something audiences were prepared to do and the network had to fire Reed and bring del Gettes back due to popular demand.

9. Jamie Foxx-Multitalented Singer/Songwriter and Radio Host

Best Actor for Ray (2004)

Jamie Foxx

Before he got into acting, Foxx was studying to be a classical pianist which helped him bond with Ray Charles so well during production as the two got to know each other by playing duets. After winning the Oscar for his eerily lifelike portrayal of Charles in Ray, he returned to music by releasing an album of original music. He’s since released two more and was even briefly considered as a replacement judge on American Idol after successful guest stints. He also hosts a show on Sirius radio called the Foxhole.

8. Gwyneth Paltrow-Lifestyle Blogger, Country Singer, and TV Guest Star

Best Actress for Shakespeare in Love (1998)

Gwenyth Paltrow

Paltrow’s Oscar for “Shakespeare in Love” was her crowning moment as the proverbial prom queen of Hollywood. Initially, Paltrow made career choices as if she wanted to backup her statuette with another by taking the kinds of roles that practically beg for a nomination: A suicidal poet in Sylvia and a tortured mathematician’s daughter in Proof. Since then, she’s seemingly given up on trying to validate herself as a high profile actress to an unforgiving press (the daughter of Hollywood royalty, she’s been derided as a product of nepotism). She started a lifestyle website, goop.com, which has gained a lot of notice. She also returned to the Oscars this past year, not as a nominee, but as a song performer for Country Strong. Throw in her hit appearances on Glee and Saturday Night Live this past year, and it’s fair to call her a reinvented woman.

7. Kevin Spacey-Real-life version of Jim Carrey in The Majestic

Best Supporting Actor for Usual Suspects (1995) and Best Actor for American Beauty (1999)

Kevin Spacey

In 2003, Kevin Spacey was appointed the Artistic Director for one of the most prestigious theaters in London with no less daunting a task than saving it from insolvency.  The Old Vic Theater, which has operated since 1818, was slated for demolition by a new property owner just five years earlier. Spacey has picked up the occasional Hollywood role, but most of his focus for the last eight years has been on acting in and producing plays for the Old Vic. He also produced and acted in his dream project in 2004, Beyond the Sea, about the life of Bobby Darin. He even accompanied the film’s release with his own CD covering the crooner’s hits and followed it up with a musical tour that summer.

6. Luise Rainer-Pioneer for Discontented Stars Everywhere

Best Actress for The Great Ziegfeld (1936) and The Good Earth (1937)

Luise Rainer

Some of the more cynical Oscar recipients (George C Scott, Alan Arkin, Sideways screenwriter Alexander Payne, etc.) have bemoaned the idea of competition or been otherwise apathetic. Luise Rainer, on the other hand, is unique in believing that the actual act of being voted on by a body of her peers as actress of the year was what ruined her career. “Nothing worse could have happened to me,” she’s said. Rainer felt that the increased fame and the way she was treated as a star left her disconnected from other actors she was used to collaborating with and she also felt that the studio put her in overly commercial projects. She complained about this loudly to the press which led to a mutually beneficial divorce between her and employer MGM Studios. Although she was lured to the screen occasionally, she retired from acting. She spent the rest of her life maintaining a 43-year marriage, writing articles, travelling, producing art, and sporadically dabbling in theater. This past March, she turned 101.

5. Whoopi Goldberg-Stand-up Artist and Media Icon

Won: Best Supporting Actress for Ghost (1990)

Whoopi Goldberg

Whoopi Goldberg was once on a conventional path to stardom as an actress with roles in diverse high-profile films such as Soapdish, The Player and The Color Purple. Her Oscar win in Ghost was the culmination of that route but it was nearing the end of that phase of her career.  Casting directors today are probably not even considering Whoopi for prestige parts in films because she’s not really known as an actress anymore. With stints hosting the Oscars, participating in the annual charity event Comic Relief, doing stand-up comedy and co-hosting The View, she’s more of a media icon nowadays. She also took a role on a TV show, Star Trek: The Next Generation, simply because she was a fan of the show.

4. Richard Dreyfuss-Professor Emeritus

Won Best Actor for The Goodbye Girl (1977)

Richard Dreyfuss

An Oscar-winner at the age of 29 (only two Best Actor winners have won the award before turning 30), Dreyfuss has immersed himself in academia where his primary interests include civics, education, government and rhetoric. He was a scholar-in-residence at England’s ultra-prestigious Oxford University where he served as a Senior Research Advisory Member of St. Antony’s College. In addition, he served for 12 years on the Board of  the National Constitution Center and founded the non-profit institute Dreyfuss Initiative dedicated to reviving civic conversation in American culture and improving the teaching of civics in elementary education. He still acts occasionally but he openly admitted in interviews for his film Poseidon that he now just acts for the money and that his passions lie elsewhere.

3. Glenda Jackson-Member of Parliament

Won Best Actress for A Touch of Class (1973) and Women in Love (1970)

Glenda Jackson

Like many actors, British actress Glenda Jackson used her high profile to spout out on various political opinions. Unlike most other actors, however, she took it upon herself to get into politics. An outspoken opponent of Prime Minister Margaret Thatcher and the Conservative Party, Jackson decided to run for Parliament in 1992 and won. There were some expectations that she would coast through parliament based on her previous fame as a movie star, but she immediately took an interest in transportation and was eventually appointed Junior Transportation Minister in 1997. She also unsuccessfully ran for the Mayor of London in 2000.

2. Gig Young-Double Murder-Suicide

Won Best Supporting Actor for They Shoot Horses, Don’t They (1969)

Gig Young

Young’s tragic post-Oscar path was certainly unique because he’s very likely (Hollywood was a sordid place of scandal in the Golden Age so you never know) the only Oscar winner to commit murder  (his fifth wife three weeks into marriage) followed immediately thereafter by his own suicide. Young had a long history with alcoholism and psychological problems before and after his Oscar despite having a long career as a character actor and leaving behind a trail of friends and admirers. His low point was being carried off the set of Blazing Saddles in an ambulance on the first day of shooting (suffering an alcohol-induced delirium tremens), forcing production to replace him with Gene Wilder. His Oscar later became the center of a legal battle when his sole child, Jennifer Young, fought his agent for ownership of the physical statue. Jennifer Young is currently producing a documentary on Gig that has yet to find a distributor.

1. Grace Kelly-Princess of Monaco

Won Best Actress for The Country Girl (1954)

Princess Grace

Gig Young’s downfall into suicide made for an immensely fascinating story, but to end the list on a more upbeat note, I’m going to give the top spot to the woman who met Mr. Right and became a princess. Quite literally. When her film, The Country Girl premiered at the Cannes Film Festival in France, she was invited for a photo session with the prince of Monaco whom she would later marry. This marked the end of a 5-year acting career that’s as remarkable an output as anyone could have in such a short span. By marrying Prince Rainier, she also saved the tiny principality (if you can’t find that country on the globe, try a magnifying glass: it’s the second smallest country in the world) from dissolution. A 1918 Treaty stipulated that if the Prince of Monaco couldn’t produce a male heir, then it would be surrendered to France. Rainer’s first fiance was rumored to be infertile and when the Prince met Grace Kelly at Cannes, he was supposedly in search of a new bride.

Top 10 Game Console Failures

Older and wiser, the games industry is still no stranger to failure. Thankfully, due to a wider market and a new found ability to learn from the mistakes of the past, disasters come and go without toppling the biggest names in the industry (well, we assume they do). For those nostalgic for a time when pieces of dark colored plastic came and went in the blink of an eye, here’s a top ten list of games console failures:

10. Neo Geo

Neo Geo

The absolute hardcore of the hardcore are typically defensive of the Neo Geo’s inevitable inclusion in lists such as these, and not without reason. The fact of the matter is that the Neo Geo was about a generation ahead of the rest of the home console market and it offered some fantastic Arcade quality gaming in the home. It was basically an Arcade machine in a home console format, after all.

Collectors swear by it, but hindsight is 20/20 and eBay prices for Neo Geo cartridges are considerably less than the obscene $300 you once had to pay per game. The console itself was $650, and bares inclusion for that alone. However, it’s only a failure so far as mainstream success is a criteria for failure. The Neo Geo was clearly only ever intended for the enthusiasts and with new software titles being released as late as 2004, it actually stuck around a lot longer than consoles that sold millions more units.

9. SEGA Saturn

sega saturn

SEGA’s true 32-bit machine was scuppered in part by the 32X, a diabolical piece of hardware we get to later. The Saturn wasn’t a bad machine by any stretch of the imagination, it was merely priced to reflect the fact that it was slightly more high powered than the Playstation and therefore more expensive to manufacture. The hardware was sound, but software was a problem. Sega came out two years after release and admitted that the development tools hadn’t been great, and it wasn’t long before all confidence was lost in the machine and the people who made it. SEGA lost 30% of its employees and $260 million.

8. The Original Xbox Gamepad

 

Original Xbox Controller

This list continues with a smaller scale failure. Or rather a big failure, with a daftly over sized controller that (in retrospect) actually provides something of a mission statement for the Xbox brand. Though Kinect is trying to bring that coveted wider audience into the living room, it undeniably has a software library built around having massive man hands. Forget your pansy Playstation-sized gamepad for the average palm. These weathered, hard skinned hands are for strangling, not moisturizing.

Rather patronizingly, a ‘type-S’ revision was made for the Japanese market, only to be officially adopted in every region a year after the console’s release. But the stupidest thing about this mistake was that SEGA had already done exactly the same thing with the Saturn. Chunkier western model replaced by more sensibly sized Japanese version two years after release.

7. Nokia N-Gage

Nokia N-Gage

Now here’s a case of being too ahead of its time. Mobile gaming has really taken off since the N-Gage crashed and burnt, to the extent that I’m not entirely sure I won’t be putting today’s more traditional handhelds (3DS and Vita) on a list like this in five years time. We’ve even got devices like the Sony Ericsson Xperia Play doing the N-Gage thing (and not necessarily doing it better).

So why did N-Gage kick start mobile phone gaming? Well, it wasn’t a capacitive touch-screen phone for starters (that’s arguably the real revolution in handheld gaming). But it was also a classic case of a ‘jack of all trades’ device. The full phone keypad necessitated buttons too small for gaming, the screen was daftly in portrait (rather than landscape) and when you used it as a phone, it looked like you speaking into a Taco.

6. Apple Pippin

apple pippin

History may have been thoroughly rewritten on this one since the iMac onwards, but if you concentrate, you may be able to remember a time when Apple products were desperately uncool.  And thanks to the iPhone, the comic stylings of an Apple gaming console may also be lost on some of you.

The Pippin was very true to Apple’s form in the nineties. Firstly, it was grossly overpriced compared to competing devices with better features (Playstations were $300 at launch, the Pippin was double that). And secondly, only 18 games were ever made for it in North America. Manufacturing partner Bandai expanded the library to 80 titles in Japan, but it was doomed to obscurity.

5. Atari Jaguar

atari jaguar

Lies, damned lies and statistics. Atari’s last stand was sold as the first ’64-bit gaming system’, but the claim was disputed considering that the fundamental components were using 32-bit instruction sets. Of course, this meant more to us back in the days when console power was still advertised in terms of ‘bits’. But it was clear that the Jaguar didn’t have either the power or the third party support to compete with the supposedly inferior consoles from Sony and SEGA.

The Jaguar killed an Atari brand that had already suffered major setbacks in the two preceding hardware generations. 125,000 consoles were sold two years after release, with nearly as many still in inventory. Some of these ended up in UK Game stores, sold as retro novelties in the early noughties.

4. Virtually Every CD-based Console

N64DD

The optical media plague that spread across the industry in the early 90s seems very strange in retrospect. Not only did a whole host of new manufacturers try to crash the console market with consoles based around CD media (CD32, CD-i and the aforementioned Pippin), but CD add-ons started growing, abscess-like on already successful machines (Sega/Mega CD being the most obvious).

They were onto something of course. The Playstation proved that optical media was the way forward for consoles, and Nintendo lost significant market share when it stubbornly stuck to cartridges in the same era. Even they were tempted into the CD add-on game with the unfortunately named N64DD.

The problem was, the possibilities of games on compact disk inspired some very lazy thinking. CDs were used for music and movies, so CDs should be used for music and movie games! A high proportion of terrible FMV games (including Night Trap and Phantasmagoria) with minimal interactivity ensured that these platforms bombed, and bombed hard.

3. Current Generation Manufacturing and Design

red ring of death

The big players are making all the right decisions with their current designs. They’re in step with the march of technology, whilst offering technology that may or may not take. Aside from the Wii’s motion control gamble, they’ve been experimental without being too risky. The thing is, one major aspect of their internal design is fundamentally flawed (or it’s intelligently designed to fail, depending on your viewpoint).

The most famous flaw of this generation is the Xbox 360’s ‘Red Ring of Death’, but the ‘Yellow Light of Death’ in Playstation 3 models is equally baleful. The failure rate of 360 consoles was once said to be about one third of all units manufactured, and a lot of the problems its suffers are down to matters as simple as airflow, and the type of solder used in manufacture. Rather pathetically, it all seems to stem from the teasing that Microsoft received over the size of its original Xbox. The 360 had the liposuction treatment, and now sits there stuffing its face all the same, a ticking time bomb of heart-disease.

2. SEGA Mega Drive 32X

SEGA Mega Drive 32 X

There’s something in the 32X philosophy that most consumers could surely get behind. Instead of buying an entirely new console every few years, simply plug something new into your old machine and enjoy several years of next generation gaming. In practice, you end up strapping 3/4s of a new console onto an old device that probably already has a pointless CD add-on, but it’s not an entirely unappealing idea.

SEGA themselves weren’t behind it anyway. Or perhaps it’s impossible to tell what exactly SEGA were behind, considering they were lining up the Neptune in addition to the Saturn. The 32X suffered the same curse of a limited games library that all the above consoles labored under and it was given the axe as soon as it became apparent that the Saturn was going to struggle against the competition.

1. Virtual Boy

virtual boy

The Goggles! They do nothing! Well actually, the goggles give you full parallax 3D game play and you can have it every colour of the rainbow. As long as it’s red. Oh, and they’re not even goggles, since the device rests on a stand and you peer into it, like a Mutoscope peep-show. With seventies visuals and a 19th Century  form factor, the three quarters of a year the Virtual Boy spent on the market in 1995-6 is actually something of an achievement. Nintendo have a pretty flawless record with their hardware releases, but when they mess up, they clearly have to mess up well.

Top 10 Controversial Books

Before people were able to access information by way of the Internet, written text was the primary resource for knowledge.  The history of books has been linked to political and economical contingencies, as well as the history of ideas and religion.  In the ancient world, humans developed writings as a desire to create a lasting record.  In the 1450s, The Gutenberg Bible became the first major book printed with a movable type printing press, marking the start of the age of the printed book.  Since that time, a large collection of controversial books have been published.  Many of these texts are known to have been written for the strict purpose of propaganda.  Conspiracy theory researchers have also put together written collections that examine controversial subjects.  This article will examine 10 influential books that have been labeled controversial.

10. The Frost King

helenkeller8

Helen Keller was an American author, political activist, and lecturer.  She was not born blind and deaf, but when Helen was 19 months old she contracted an illness described by doctors as “an acute congestion of the stomach and the brain”, which might have been scarlet fever or meningitis.  The illness left Helen Keller deaf and blind.  In 1887, when Helen was only seven years old, a young woman named Anne Sullivan became her instructor.  When Sullivan first arrived at Keller’s house, she began to teach Helen how to communicate by spelling words into her hand.  The story of how Anne Sullivan helped the isolation imposed by Keller’s near complete lack of language is widely known through the dramatic play The Miracle Worker.

The Controversy

In 1892, at the age of 11, Helen Keller published her first short story titled The Frost King.  The book tells the tale of King Jack Frost and a cask of jewels that are being transported by a collection of fairy servants.  At the time of the stories publication, Helen Keller largely communicated only with Anne Sullivan.  In fact, Sullivan dictated the entire Frost King story for Keller.  After the book gained popularity, it soon became evident that the Frost King was a direct reproduction of Frost Fairies by Margaret Canby.  The revelation was important, with many articles proclaiming that the story was a deliberate fraud by Keller’s handlers.

People all over the world were surprised that Helen Keller was able to produce The Frost King at such a young age.  Keller adamantly denied that she had heard Canby’s story before.  However, Sullivan claimed that Keller read the book through finger spelling with the help Sophia Hopkins.  An investigation into the matter concluded that Helen Keller may have experienced a case of cryptomnesia, in that she had read Canby’s story before, but forgot about it.  Joseph Lash’s book Helen and Teacher states that Anne Sullivan read Helen Keller Frost Fairies the previous fall and that she had adapted her own story out of the original.  Because of the accusations, an in-house trial ensued at the Perkins School to determine whether or not Sullivan had deliberately falsified Keller’s abilities.

At the time, eight separate teachers interrogated the twelve-year-old Helen Keller for two hours.  They returned a verdict of undecided, with some members calling foul play and others not.  Apparently, Keller had a visible nervous breakdown over the incident, and decided to never publish fiction again.  Michael Anagnos, head of the Perkins School for the Blind, never regained his faith in Sullivan or Keller and described them as “a living lie”.  Anagnos claimed to have found inconsistencies in Helen Keller’s letters and was fully suspicious that Anne Sullivan checked her writings before allowing them to be mailed.  In 1903, Mark Twain described the controversy as “owlishly idiotic and grotesque”.

9. Trail of the Octopus

trail of the octopus

On December 21, 1988, Pan Am Flight 103 was scheduled to travel from London to New York.  The plane was transporting 243 passengers and 16 crew members.  While flying over Lockerbie, in southern Scotland, the flight experienced a catastrophic explosion which punched a 20-inch (0.51 m)-wide hole on the left side of the fuselage.  The aircraft rapidly disintegrated and crashed into Lockerble killing all passengers onboard and eleven people on the ground.  The subsequent investigation determined that the flight was targeted by a terrorist group.  Certain events pertaining to the case have been riddled with controversy.  Published statements have accused the United States CIA in having foreknowledge of the attack.  On February 24, 2011, Libya’s former justice minister Mustafa Abdul Jalil claimed that Muammar Gaddafi had personally ordered the Lockerbie bombing.

The Controversy

Lester Coleman is a former U.S. DEA agent who co-author the 1993 book Trail of the Octopus, The Untold Story of Pan Am 103.  In the book, it is claimed that a secret drug operation enabled terrorists to evade airport security in the 1988 bombing of Pan American Flight 103.  It has been alleged that a compromised American covert drug smuggling organization allowed Iranian-backed terrorists, led by Ahmed Jibril, to slip a Semtex bomb aboard the plane.  In 1990, before the release of the book, Lester Coleman made national headlines when he exposed a CIA double agent to the press.  As a result of the published photograph, the U.S. government sued Time Magazine for $26 million.  In 1991, as part of a civil lawsuit between Pan American World Airways and the families of Flight 103, Lester Coleman made a sworn statement accusing the Drug Enforcement Administration of allowing PA103 to be bombed.  In response, the federal court imposed a gag order on the defendants and plaintiffs in the case.

In 1993, Trail of the Octopus was first published in the United Kingdom.  The book holds the famous quote, “No one knows what is really going on.  If they ever did, it would make Watergate look like Alice in Wonderland.”  Coleman claims that he sought and was granted political sanctuary in Sweden in order to complete the novel.   When he was under Swedish protection, he provided Pan American World Airways with a civil affidavit which cleared them of full responsibility in the Lockerbie bombing.  In response to the book, the DEA sued Bloomsbury publishing in a London court.  After a settlement, thousands of copies of the text were destroyed.  On September 11, 1997, Lester Coleman stated to a New York Federal court that “…he lied when he claimed that a secret drug sting enabled terrorists to evade airport security in the bombing…”  In a plea agreement, Coleman was sentenced to time served.

As of 2011, Kindle and Nook are the new publishers of Trail of the Octopus, which holds a 2009 United States release.  Over the years, conspiracy theorists have latched onto the fact that there were at least four U.S. intelligence officers on the passenger list, claiming they were targeted for assassination.  A number of security alerts were posted shortly before the bombing, with many people avoiding the deadly flight.  The South African foreign minister Pik Botha and a minor delegation of 22 was supposed to board Pan Am 103, but managed to take the earlier Pan Am 101 flight.  In 2003, Libya took responsibility for the bombing.  In a remarkable occurrence, the Libyan government compensated each family of the victims US$8 million.  As a result of this, the UN agreed to cancel sanctions that had been imposed four years earlier.  A collection of U.S. trade restrictions were also lifted due to the settlement.

8. English as She Is Spoke

english as she is spoke

When English as She Is Spoke was published in 1883 it raised controversy, but it was due to the funny content and didn’t involve serious issues.  In the middle of the 19thcentury, a Portuguese author named Jose da Fonseca became notable for writing phrase books that were used to help travelers and people interesting in learning multiple languages.  His most famous publication was a successful Portuguese-French phrase book, which was adapted by a man named Pedro Carolino.  After the popularity of the initial book, Carolino decided to write his own Portuguese to English conversational guide.  However, he placed the more popular Jose da Fonseca’s name as the author without his knowledge.  Problems began to arise when it was realized that Pedro Carolino didn’t speak English.

The Controversy

English as She Is Spoke is regarded as one of the funniest books written in the 19th century and a classic source of unintentional humor, due to the fact that the given English translations in the book are generally completely incoherent and wrong.  It is widely believed that Pedro Carolino used a French-English dictionary to translate the earlier Portuguese-French phrase book that was written by José da Fonseca.  The attempt failed to produce coherent English speech.  It seems that the dictionary-aided literal use of the words caused many expressions to be translated wildly inappropriately.  For example, the Portuguese phrase chover a cântaros is translated as raining in jars, when the English translation should be “raining buckets.”

Here are some more notable examples of phrases used in the book.  The walls have hearsay, should be “the walls have ears.”  He go to four feet, should be “he is crawling.”  Is sure the road, should be “is the road safe.”  That pond it seems me many multiplied of fishes.  Let us amuse rather to the fishing.  The English translation should have been, “This pond seems like it’s full of fish.  Let’s have some fun fishing.”  Mark Twain said of English as She Is Spoke, “Nobody can add to the absurdity of this book, nobody can imitate it successfully, and nobody can hope to produce its fellow.  It is perfect.”

7. Passport to Magonia: From Folklore to Flying Saucers

passport

Jacques Vallée is a French-born venture capitalist, computer scientist, author, ufologist and former astronomer.  For over 50 years, he has been a predominant authority on extraterrestrial life.  In Steven Spielberg film Close Encounters of the Third Kind, Vallée served as the model for the French character Lacombe.  He is a respected researcher that has made significant contributions to the field of scientific exploration.  Vallée is notable for co-developing the first computerized mapping of Mars and for his work as the principal investigator at SRI International in creating ARPANET, a precursor to the modern Internet.  He served on the National Advisory Committee at the University of Michigan, College of Engineering, and was involved in early work on artificial intelligence.  Vallée has authored four books on high technology and is a venture capitalist.  He has invested in over 60 start-up companies, 18 of which have become traded on public markets.

One of these companies is Accuray Systems (Nasdaq:ARAY), which is a medical device company developing surgical robots.  Along with his mentor, astronomer J. Allen Hynek, Vallée has carefully studied the phenomenon of UFOs for many years and his research has taken him to all areas of the world.  Initially, Jacques Vallée published works supporting the extraterrestrial hypothesis (ETH).  ETH states that some unidentified flying objects (UFOs) are best explained as being extraterrestrial life or non-human aliens from other planets occupying physical spacecraft visiting Earth.  However, by 1969, Vallée’s conclusions had changed, and he publicly announced that the ETH was too narrow and ignored too much data.  In his next novel, Passport to Magonia: From Folklore to Flying Saucers, Vallée explored a different angle on UFO encounters.

The Controversy

In Passport to Magonia, Vallée examines the commonalities between UFOs, cults, religious movements, demons, angels, ghosts, cryptid sightings, and psychic phenomena.  In the text, he suggests the interdimensional visitation hypothesis.  The theory states that unidentified flying objects (UFOs) and related events involve visitations from other “realities” or “dimensions” that coexist separately alongside our own.  It holds that UFOs are a modern manifestation of a phenomenon that has occurred throughout recorded human history, which in prior ages was ascribed to mythological or supernatural creatures.  The interdimensional visitation hypothesis alleges that extraterrestrials could be living beyond space-time, and thus could coexist with humans, yet remain undetected.  Vallée’s opposition to the popular ETH hypothesis was not well received by prominent U.S. ufologists, hence he is viewed as something of an outcast.

Given Jacques Vallée’s scientific history and documented intellect, many have lent prominence to his theories.  Let’s examine his ideas.  Claims are made that the distance between stars makes interstellar travel impractical without an antigravity or faster-than-light travel hypothesis.  Vallée points out that unexplained close encounters are far more numerous than required for any physical survey of the earth.  The humanoid body structure of the alleged “aliens” is not likely to have originated on another planet and is not biologically adapted to space travel.  The apparent ability of UFOs to manipulate space and time suggests radically different and richer alternatives.  Vallée has contributed to the investigation of the Miracle at Fatima and Marian apparitions.  His work has been used to support the Fatima UFO Hypothesis.

One advantage of IDH proffered by Hilary Evans is its ability to explain the apparent ability of UFOs to appear and disappear from sight and radar, explained as the UFO enters and leaves our dimension.  Moreover, Evans argues that other dimensions might be slightly more advanced than ours, explaining the UFOs’ tendency to represent near future technologies.  In a conversation with Steven Spielberg, Vallée suggested that he make the phenomenon in Close Encounters of the Third Kind, real, physical, but not ET.  Vallée also proposes that a secondary aspect of the UFO phenomenon involves human manipulation by humans.  He advocates a stronger and more serious involvement of science in the UFO research and debate, in order to let people understand the real aspects of multidimensional travel.

6. Brahmastra

ramayana_3

The ancient world has produced some of the most controversial books in existence, including religious text across multiple faiths.  This article will examine one aspect of Sanskrit literature.  Sanskrit is an Indo-Aryan dialect and the primary liturgical language of Hinduism, Jainism and Buddhism.  Sanskrit literature encompasses a rich tradition of poetry and drama as well as scientific, technical, philosophical and Hindu religious texts.  A large collection of researchers have devoted their lives to understanding ancient Sanskrit literature.  A great example of Sanskrit is The Puranas, which is a genre of important Hindu, Jain and Buddhist religious texts, consisting of narratives on the history of the universe from creation to destruction, genealogies of kings, heroes, sages, and demigods.  In some of these texts, a weapon is mentioned that has sparked interest and controversy.

The Controversy

In ancient Sanskrit writings, a Brahmastra is a weapon created by Brahma, who is the Hindu God of creation.  Brahmastra is considered the deadliest weapon of all and when it is discharged there is neither a counter attack nor a defense that may stop it.  The Brahmastra never misses and must be used with very specific intent, as the target will face complete annihilation.  According to Sanskrit writings, the Brahmastra is invoked by a key phrase that is bestowed upon the user when given the weapon.  It causes severe environmental damage.  The land where the Brahmastra is used becomes barren for eons and all life in and around that area ceases to exist.

Upon release of the weapon, women and men become infertile.  The area experiences a severe decrease in rainfall and the land develops cracks like in a drought.  The survivors lose their nails and hair, and their food becomes unfit for eating.  For several subsequent years, the Sun, the stars and the sky remain shrouded with clouds and produce bad weather.  It doesn’t take an expert to notice that the weapon holds similar characteristics to modern day nuclear weapons.  The Brahmastra is mentioned in multiple Sanskrit scriptures, often times acting as a deterrent simply with the threat of use.  In the Ramayana, a Brahmastra is used by Rama as the “final blow” against Rakshasa Ravana during their battle in Lanka.  It is said that the collision between two Brahmastras will destroy the universe.

5. The Report from Iron Mountain

report from iron mountain

In 1967, the war in Vietnam was escalating and a large amount of civil unrest was spreading in major U.S. cities.  On October 16, a bizarre book appeared titled The Report from Iron Mountain: On the Possibility and Desirability of Peace.  It was published by Dial Press, which is a division of Simon & Schuster.  The book claims to be an authentic U.S. government report compiled by secret officials.  The introduction to the book was written by a man named Leonard C. Lewin, who at the time was a New York freelance writer.  In the opening of the book, Lewin explains that the report was compiled by 15 experts known as the Special Study Group (SSG).

According to the text, the SSG was a collection of men put together by the U.S. government.  The group first met in 1963 at a secret underground nuclear hideout called Iron Mountain.  The book claims that the Special Study Group held periodic meetings during the middle of the 1960s to discuss the problems that would confront the United States if it entered into an era of permanent peace.  The mystery of who wrote the report was revealed in 1972, when the Harvard educated Leonard C. Lewin declared in a New York Times article that he had invented it as a hoax.

The Controversy

The Report from Iron Mountain is put together to look like an actual top secret document.  It includes language that is full of think-tank jargon.  In the text the SSG comes to the conclusion that peace “would almost certainly not be in the best interest of a stable society.”  War, they argued, was simply too important to the world’s economy, and therefore necessary for the United States to continue in a state of war indefinitely.  The report claims that a member of the panel, John Doe, who is a professor from a college in the Midwest, decided to release the report to the public.  In the book, the group theorized that world governments would not exist without war and that conflict serves as a vital function to divert collective aggression.  The SSG also recommend blood games and suggest that the government should create alternative foes that would scare the public, such as reports of aliens and out-of-control pollution.

Another proposal by the SSG is the reinstitution of slavery.  In detail, the report identifies reasons why war is necessary.  Far from being used to only settle disputes between nation-states, the book claims that war is used to control unemployment, reduce the population, drive scientific and artistic development, provide legitimacy and growth to the government, and to control crime, gangs, and vagrancy by providing a publicly acceptable outlet for society’s undesirables.  The book suggests that we must find substitutes for all of war’s functions in order to transition into an era of peace and prevent society’s collapse.  It specifically mentions pumping pollution into the environment to create a disaster society that we can all unite over.  The report proposes that the government create fake UFO incidents.

Report from Iron Mountain contains a seemingly serious discussion on the necessity of a eugenics program.  The book suggests that without war, human reproduction would have to be strictly controlled, perhaps through artificial insemination administered by the government.  Upon release of the document, it caused panic among many government officials.  President Lyndon B. Johnson supposedly “hit the roof” when he learned of it.  Cables were sent to U.S. embassies throughout the world instructing them to play down public discussion and to emphasize that it had nothing at all to do with official U.S. policy.  Today, the book is believed to be a hoax authored by one man, Leonard Lewin.  In 1996, the novel was listed in the Guinness Book of World Records as the Most Successful Literary Hoax.  Upon its release, the book was a New York Times bestseller and it has been translated into fifteen languages.  Some people continue to believe that the report is a leaked U.S. document.

4. Germany Must Perish!

germany must perish

During World War II, many pieces of political propaganda were released to the general public.  As Hitler took control of Germany, Nazi propaganda was heavily used in schools and businesses.  In Russia, England, America, and many other world locations, anti-German text was widely distributed.  During the war, an American Jewish businessman named Theodore Kaufman began to publish pamphlets under the auspices of the American Federation of Peace.  In 1939, Kaufman was determined to prevent American involvement in the war.

One pamphlet, titled Passive Purchase, advocated for the establishment of a two-week period during which Americans would curtail their spending in order to demonstrate public opposition to American intervention in the war.  Another of Kaufman’s pamphlets stated, “A possible plea to Congress. … Have Us All Sterilized! … If You Plan On Sending Us to A Foreign War … Spare Us Any Possibility Of Ever Bringing Children Into This World.”  However, as World War II intensified, Theodore Kaufman turned his attention to the destruction of the German people, publishing one of the most well known books of the war era, Germany Must Perish!

The Controversy

Germany Must Perish is a 104-page book written and self-published by Theodore Kaufman in 1941.  The text advocates for the genocide of the German population and the territorial dismemberment of the country.  Specifically, it mentions the forced mass-sterilization of all men under 65 and women under 45. In the text, Kaufman promotes the distribution of German lands, which he claims would solve a great deal of humanity’s problems.  During the war, the book had a minimal impact in the United States, but it achieved notoriety in Nazi Germany, where it was widely used as evidence of an international Jewish plan to destroy the German people.  On July 24, 1941, the Nazi Party’s newspaper, Volkischer Beobachter, published a front-page article on the book titled, The Product of Criminal Jewish Sadism: Roosevelt Demands the Sterilization of the German People.

The article claimed that Theodore Kaufman had a direct connection with President Roosevelt and U.S. policy, which was a gross fabrication.  At the time, the German leadership was engaged in a campaign to rally popular support for the invasion of the Soviet Union.  Kaufman’s ideas became a large focus of the campaign.  For this reason, many Germans, even today, know who Theodore Kaufman is, while the majority of people are being introduced to him for the first time.  Germany Must Perish was specifically cited as an excuse to round up the Jews of Hanover.  On September 1, 1941, the Nazis required German Jews to wear a yellow badge on their clothing, they published a flyer explaining to the German people that those individuals wearing the star were conspiring to implement Kaufman’s plan for the destruction of Germany.

3. Poem of the Man God

poem of the man god

In 1897, Maria Valtorta was born in Caserta, in the Campania region of Italy.  On March 17, 1920, at the age of 23, Maria was attacked by a delinquent youth while on the street with her family.  She was hit with an iron bar for no apparent reason and was confined to a bed for three months.  At the age of 27, Maria’s family settled in the town of Viareggio, on the coast of Tuscany.  She was able to move around for over a decade after being assaulted, but complications from the injury eventually confined Valtorta to a bed for the last 28 years of her life.  During the height of World War II, on the morning of Good Friday April 23, 1943, Maria Valtorta reported a sudden voice speaking to her and asking her to write.

Thereafter, Maria Valtorta wrote almost every day until 1947 and intermittently in the following years until 1951. She would use a fountain pen and write in multiple notebooks.  It has been reported that Maria did not prepare outlines.  She did not know what she would write from one day to another and did not reread to correct.  One of her declarations is stated, “I can affirm that I have had no human source to be able to know what I write, and what, even while writing, I often do not understand.”  From 1943 to 1951, Valtorta produced over 15,000 handwritten pages in 122 notebooks.  These pages became the basis of her major work, the Poem of the Man God, and constitute about two thirds of her literary publications.

The Controversy

The Poem of the Man God gives a detailed account of the life of Jesus from his birth to crucifixion.  In many instances, the text is more elaborate than the Holy Gospels.  The book describes the many journeys of Jesus and his conversations with people such as the apostles.  Valtorta’s handwritten pages had no overwrites, corrections or revisions of any kind.  Her writings were not in sequence, some of the last chapters of the Poem of the Man God were written before the early chapters, yet the text flows smoothly between them.  Most of the episodes she wrote about have a uniform format and structure.  Maria first describes a scene, often with picturesque details of the background, the trees, the mountains and the weather conditions on that day.  Her writings display a surprising knowledge of the Holy Land.

A geologist, Vittorio Tredici, stated that Valtorta’s detailed account of the topographic, geological and mineralogical aspects of Palestine seems unexplainable.  The book names 255 specific locations in Palestine, but 52 have no biblical reference at all.  Since publication, the existence of some of these places has been confirmed using ancient documents.  In some cases, such as the Passion, Maria’s descriptions are very detailed and graphic.  Dr. Nicholas Pende expressed his surprise at the level of detail in which Valtorta depicted Christ’s spasms in Crucifixion, saying that she described “a phenomenon which only a few informed physicians would know how to explain, and she does it in an authentic medical style.”  The Poem of the Man God clears up some biblical mysteries.  The Trial of Jesus by Caiphas is discussed in all Gospels.  However, the fact that some put the event at night, while others refer to it as happening in the day has at times been viewed as a problem.

In Valtorta’s version, there are two trials, one at night and the other after daybreak.  The narrative of the Poem of the Man God includes a number of specific observations on the positions of stars and the moon.  In 1992, Purdue University physicist Lonnie VanZandt analyzed the text to estimate a date for the astronomical event described and came to the startling conclusion that it could have only occurred in AD33, which supports the book’s timeline.  In 1959, the text was placed on the Index of Forbidden Books by the Holy Office.  However, since that time the Catholic Church has been neutral on the subject.  They do not endorse the Poem of the Man God or ban it.  The six children who have reported visions of the Virgin Mary in Medjugorje have strongly supported the authenticity of the book.  It remains a mysterious achievement, as Maria Valtorta was able to produce a text similar to the Holy Bible. Chiseled on Maria’s tombstone are the words: “DIVINARUM RERUM SCRIPTRIX” (Writer of Divine Things).

2. Malleus Maleficarum

the-malleus-maleficarum

In the 12th century, the Inquisition was started by the Roman Catholic Church.  During this time, several sectors within the justice system of the Catholic Church enforced a strict set of laws.  The Inquisition was characterized by the use of torture and executions to prevent religious heresy.  By the start of the 16th century, the Catholic Church had reached a dominant position as religious authority in western and central Europe.  Many policies were adopted during this time in history, but one of the most controversial is a set of laws regarding witches.

Between the 15th and 18th centuries, a series of witch hunts were carried out across Early Modern Europe, and to some extent in the European colonies of North America.  People believed that malevolent satanic witches were operating as an organized threat to the Catholic Church.  As one would expect, the idea that witches were a harmful and dangerous aspect to society was published in multiple novels and pamphlets.  The most notorious being the 1487 book Malleus Maleficarum.

The Controversy

People accused of witchcraft were portrayed as being worshippers of the Devil, who engaged in such acts as malevolent sorcery, and orgies at meetings known as Witches’ Sabbaths.  Many people were subsequently accused of being witches, and put on trial for their crime.  Over the entire duration of the phenomenon, an estimated total of 40,000 to 60,000 people were executed.  The psychological impact was enormous, with women having to act appropriately or fear accusations of witchcraft.  In 1487, an Inquisitor of the Catholic Church named Heinrich Kramer wrote Malleus Maleficarum.  The purpose of the text was to systematically refute arguments claiming that witchcraft does not exist, discredit those who expressed skepticism about its reality, to claim that witches were more often women than men, and to educate magistrates on the procedures to find and convict witches.

A connection between this book and the Catholic Church has raised controversy.  Kramer claimed to gain endorsement from the top theologians of the Inquision, but later the group condemned the book as unethical.  A German priest named Jacob Sprenger is attributed as an author of Malleus Maleficarum.  Historians have suggested that Kramer used Sprenger’s name without his consent to gain prominence for the work.  The preface of the book also includes endorsements from the University of Cologne’s Faculty of Theology.  Like everything else surrounding this text, claims have been made that the Catholic endorsements were a forgery by Heinrich Kramer.  The book became the law abiding handbook for secular courts throughout Renaissance Europe.  Section three describes how to prosecute a witch.

Between the years 1487 and 1520, the text was published thirteen times.  It was again published between the years of 1574 to 1669 a total of sixteen times.  Regardless of the authenticity and controversy surrounding the book’s Catholic endorsements, which appear at the beginning of the novel, their presence was never removed and strongly contributed to the popularity of the text.  Persecution of witches became more constant and brutal following the publication of the Malleus, with witchcraft being accepted as a real and dangerous phenomenon.  The text asserts that three elements are necessary for witchcraft, the evil-intentioned witch, the help of the Devil, and the Permission of God.

The book is full of erroneous statements, including the implication that all women who don’t cry during their trial were witches.  In modern times the book has been condemned as a work of hatred towards women, as it specifically mentions individual characteristics of female witches, including all ladies with a strong personality.  The very title of the Malleus Maleficarum is feminine, alluding to the idea that it was women who were the villains.  Otherwise, it would be the Malleus Maleficorum, which is the masculine form of the Latin noun for witch.  The book accuses witches of infanticide, cannibalism, casting evil spells to harm their enemies, and having the power to steal men’s penises.  It gives detailed accounts of witches committing these crimes.  How the text became so popular and accepted as fact remains a bit of a mystery.

1. Sexual Behavior in the Human Male

kinsey

Alfred Kinsey was an American biologist who in 1947 founded the Kinsey Institute for Research in Sex, Gender, and Reproduction.  Before launching one of the largest studies on sexual reproduction in United States history, Kinsey was a professor of entomology and zoology.  He wrote two of the most controversial books of the 20th century, Sexual Behavior in the Human Male (1948) and Sexual Behavior in the Human Female (1953).  In the publications, Kinsey analyzes data on the frequency with which people participate in various types of sexual activity and looks at how factors such as age, social-economic status and religious adherence influence sexual behavior.  Kinsey makes many comparisons between female and male sexual activities.

In the 1940s, the book astounded the general public and was immediately controversial.  It caused shock and outrage, both because it challenged the conventional belief about sexuality and because the book discussed subjects that had previously been taboo.  Alfred Kinsey is generally regarded as the father of sexology, which is the systematic, scientific study of human sexuality.  His work has profoundly influenced social and cultural values in the United States and many other countries.  However, after examining his subject data, people have began to wonder how Alfred Kinsey was able to obtain the information.

The Controversy

Alfred Kinsey’s sex research went far beyond interviews with participants.  It included direct observation and sexual activity.  He engaged in a large amount of direct homosexual behavior in his research.  Kinsey justified this as being necessary to gain the confidence of his subjects.  He encouraged his staff to do likewise, and to experiment with a wide range of sexual acts.  Kinsey argued that the experience would help his staff understand the participant responses.  As part of his research, Alfred Kinsey set up an area in his attic to privately film sexual acts.  In response to this, author James H. Jones and British psychiatrist Theodore Dalrymple, amongst others, have speculated that Kinsey was driven by his own sexual needs.

After Alfred Kinsey’s untimely death in 1956, the real controversy started to emerge regarding data in tables 30 to 34 of the male volume.  In the text, Kinsey calculated numbers surrounding pre-adolescent orgasms.  He reported observations of orgasms in over three-hundred children between the ages of five months and fourteen years.  The information was said to have come from childhood memories or from parent and teacher observations.  Kinsey also said that he interviewed nine men who had previous sexual experiences with kids.  These men described the children’s responses and reactions to Kinsey.  These facts have raised immediate concerns regarding Alfred Kinsey’s overall approach to research.

The information included in the male volume could not have been obtained without collaboration from a child molester.  The Kinsey Institute denies the charge, claiming that Alfred used information from one participant and presented it as being from various individuals.  Additionally, people have concerns over the sample population that was selected by Alfred Kinsey.  In experimentation, the collection of a sample is a simple statistical procedure.  However, it seems that Kinsey used a disproportionate number of prisoners, prostitutes, and especially gay men.  He didn’t use any black people in the work.  All of this evidence has given rise to an anti-Kinsey movement around the world, which was started in 1981 by Judith Reisman.

Top 10 Best Picture Winners Weren’t That Great

Only 83 films have won Best Picture to date and the general sentiment is that winning the big prize ensures that your film will have a place among the classics. Here are 10 films that won the grand prize that are not considered classics today:

10. The Broadway Melody, 1929

The Broadway Melody

Since sound was introduced into the movies in 1927, film studios realized the potential almost immediately of combining films with musical numbers. Released two years after the first talkie, The Broadway Melody was MGM’s first big-scale musical number. Heavily promoted by studio head Louis B. Mayer, the cliché-ridden film would win the 2nd best picture Oscar in history among what film historian Tim Dirks notes as, “some of the weakest films in the history of American cinema, reflecting the chaos of the transition from silents to sound films.” Although MGM would be synonymous with the best of the musical genre some fifteen years down the road, the early years of MGM’s musical branch were films so formulaic that they didn’t even bother changing the name for subsequent installments. They were simply known as The Broadway Melody of ____ with the year of release in the blank.

9. Cimarron, 1931

Cimarron

Cimarron is one of just three Westerns to win an Oscar. The film centers around a restless newspaper editor seeking to start a new life with his family in the newly opened territory of Oklahoma and covers a 40-year span in which he deserts his family but eventually comes back to fight for Indians’ rights. Despite its eventual pro-Indian stance, the film squanders its good will to modern viewers through its highly stereotypical representation of the Jewish tailor and the African American servant characters. The film has eight out of fourteen good reviews on rottentomatoes.com which clears it from being the worst-reviewed best picture winner (The Broadway Melody has 38%) but even the good reviews aren’t particularly enthusiastic about the film. One of the positive reviews, by Dennis Schwartz, says the film is “badly outdated, overly sentimental, the performance by Richard Dix that was well-received back then now seems overblown,” but he inexplicably gives the film a B-. If there’s a bright spot to the film, it’s the performance of Irene Dunne who was able to survive the transition to talkies through what most critics agree was a great performance.

8. Cavalcade, 1933

Cavalcade

Cavalcade chronicles the story of a British family over two generations as they cope with war, societal change, and the sinking of the Titanic (one of the family members was on board). This film won in a year when Hollywood started to get comfortable enough with sound that many films broke out of the mold and revolutionized their genres, whether it was the message picture (I am a Fugitive from a Chain Gang), the musical (42nd Street), the big budget action film (King Kong) or the risqué comedy (She Done Him Wrong). Ironically, it was also the first year in which the overproduced British period piece won the top prize. There’s no doubt that Hollywood owes a great debt to England’s grand theatrical tradition and its immensely talented pool of classically trained actors but the Academy’s being blind-sided by anything and everything British has led to most every baffling decision the Academy has made for best picture, which will be a recurring theme here.

7. You Can’t Take it With You, 1938

You cant take it with you

Frank Capra was the 1930′s version of Spielberg and Scorsese rolled into one. He was the most respected, revered and commercially successful director of his time. His visions of homespun Americana gave hope to millions during the Great Depression. You Can’t Take it With You was Capra’s third Oscar-winning film in the course of 6 years, and it was no doubt a popular film. The film, however, is something like Capra’s 7th or 8th best film today behind such classics that came nowhere close to winning an Oscar as It’s a Wonderful Life, Mr. Smith Goes to Washington or Arsenic and Old Lace. The film centers on the zany antics when the granddaughter of an eccentric free-spirited professor invites her straight-laced in-laws for dinner. Aside from being overshadowed by so many other Frank Capra films, the film is also  unremarkable because it’s not very much of a departure from the Pulitzer-prize winning stage play by George Kaufman and Moss Hart.

6. Mrs. Miniver, 1942

mrs miniver

During World War II, Hollywood sought to assist with the war effort however it could. Top directors such as John Ford, John Huston and more made propaganda pictures and Hollywood produced wholesome images of homespun Americana and family life (Meet me in Saint Louis is a prime example) so that moviegoers could be reminded at the movies exactly what they were fighting for. At the same time, this was the Golden Age of film in which American cinema was really advancing as an art form. The Oscars during these years pitted the wholesome yet unremarkable films against the edgier film noirs, screwball comedies, or melodramas.  Mrs. Miniver, although depicting the idyll and noble life of a British family on the advent of war, was one such unremarkable film. It did make for some good propoganda. Winston Churchill wrote a thank-you note to MGM head Louis B. Mayer saying that the film was “Propoganda worth a hundred battleships.”

5. Around the World in 80 Days, 1956

aroundtheworld

This film is a fun, scenic romp best known for its endless string of cameos by the likes of Frank Sinatra, Cesar Romero, Charles Coburn, Red Skelton, Marlene Dietrich, and many more. It’s speculated that the film won only because all the actors with cameos voted for their own film. Even if the film is more popcorn entertainment than a great film, credit still should be given to producer Mike Todd (one former husband of the late Elizabeth Taylor) for his sheer ambition. Employing a record 33 assistant directors, Todd personally jetted to Pakistan, India, China and Thailand to meet with Kings and princes to secure the most luxurious locations he could find. Getting half of Hollywood to appear in his film wasn’t easy either: Todd spent months asking any actor with even a mild curiosity about the film to appear in a small role. In fact, it can be said that this film originated the very concept of the cameo.

4. The Greatest Show on Earth, 1952

Greatest-Show on earth

This is a film that centers around the trials and tribulations of a travelling circus (the title comes from the motto for Barnum and Bailey’s Circus). Audiences hear about the film and the storied career of its director, Cecille B. DeMille, every year because the Lifetime Achievement Award at the Golden Globes is named after him. Upon receiving the award, for example, Spielberg paid tribute to The Greatest Show on Earth by saying that he practically owes his career to this film having recreated the famous train crash scene in his living room over and over as a kid. Even if we take Spielberg at his word (he’s known to embellish his stories), he’s in the minority of people who took anything inspirational from the film. When I did an informal poll among other film buffs in preparation for this list, they all insisted that this was the most forgettable entry be included. Like Around the World in 80 Days, the film is more spectacle than it is timeless. Outside of that one train crash scene, the film doesn’t offer much of the grand sights of a film like Around the World in 80 Days. Unless you’re a humongous circus fan you should just catch them live when they’re in town.

3. Oliver!, 1968

Oliver

To be fair, British Director Carol Reed did produce at least one classic in The Third Man almost 20 years before he was handed a make-up award for this film. The adaptation of the classic Charles Dickens novel Oliver Twist had the necessary pedigree of Britishness (see the Mrs Miniver entry) and came during a decade in which musicals were in fashion with the Oscars (3 other films from the 1960′s also won Best Picture). Ironically, among the other two front-runners that year, The Lion in the Winter also had the British pedigree and Funny Girl was a musical.

2. Chariots of Fire, 1981

Chariots of Fire

Today, the film is only remembered for its synthetic score that’s been reused for athletic montages in practically every movie since. The tale, examining the conflicting journeys to glory of two British gold medalist runners in the 1924 Olympics, isn’t so much a bad film as a massive surprise in a crowded field of great films that included Raiders of the Lost Ark, Reds, Atlantic City and On Golden Pond. Roger Ebert wrote that when he met the producers and the directors of the film at that year’s Cannes film festival before the film had found an American distributor, they told him that they didn’t think their film would even play in America, let alone win an Oscar. Ebert also speculated that in today’s movie market, it would likely have not survived more than one weekend in the theaters.

1. The English Patient, 1996

The English Patient

An epic love story set at the close of World War II centering on the search for the identity of a plane crash survivor, the film isn’t necessarily bad but it has been ignored by pretty much every list of great films (Empire Magazine, National Society of Film Critics, the AFI, Time Out, etc.) . The film is mostly remembered today for being the basis of a Seinfeld episode in which Elaine is driven insane in trying to avoid being ostracized for being the only one of her friends who doesn’t like the film. It’s worth noting that as Elaine’s friends in that Seinfeld episode love the film, it opened to some remarkably good reviews. Susan Stark of Detroit News famously called it the best film she’s seen in 16 years of reviewing cinema. While Best Picture winners of the 1990′s like Forrest Gump (which beat out Quiz Show, Pulp Fiction, and The Shawshank Redemption) and Dances with Wolves (which beat out Goodfellas) are now almost universally hated for taking the trophy away from those beloved films, The English Patient seems to have faded into oblivion.  Even though some might hate it for taking the honor away from Shine or Fargo, both nominated that year.