Top 10 Great Movies That Didn’t Win An Oscar

As quickly as 2010 came and went, here we find ourselves in the middle of another exciting awards season. The Golden Globes have been awarded and the 83^rd Oscar ceremony is next.

When it comes to Hollywood’s highest honors, the Academy’s omissions often provoke more outcry and buzz than the actual winners. The Academy Awards are quite controversial among many film experts and fans. Although the Academy has honored many of the cinema’s masterpieces, numerous other great movies have been entirely overlooked. It seems they weren’t even worth the nomination. Other notable films were nominated, but didn’t win a single Oscar. It’s the case of Double Indemnity (a classic film noir masterpiece with seven nominations!!!) Pretty Woman, Being John Malkovich, Harry Potter and the Sorcerer’s Stone, The Talented Mr. Ripley, Munich, It’s A Wonderful Life,  Singin’ in The Rain, Mangnolia, The Magnificent Ambersons and many more.

10. Poltergeist (1982)

The first Poltergeist movie was released during the summer 1982. The very successful thriller of the 80s ranks 84th on AFI’s 100 Years…100 Thrills list. The 1986 and 1988 sequels didn’t quite measure up to the original.
Special effects can often make or break a film. It’s for sure not the case of Poltergeist (1982). Many consider that producer Steven Spielberg and director Tobe Hooper are the real stars of Poltergeist, both of them famous for creating awesome special effects. Poltergeist won in 1983 the BAFTA Film Award for Best Special Visual Effects, but failed to win the Oscar. It remains a visually striking movie that harmonically combines effective special effects with a human touch, something most horror movies lack these days.

Poltergeist – Oscar nominations

1983, Best Effects, Sound Effects Editing: Stephen Hunter Flick, Richard L. Anderson

Best Effects, Visual Effects: Richard Edlund, Michael Wood, Bruce Nicholson

Best Music, Original Score: Jerry Goldsmith

9. Ghostbusters (1984)

The 1984 Ghostbusters is one of those few great films “where the original, fragile comic vision has survived a multimillion-dollar production”, said Roger Ebert. The American fantasty-comedy made close to $300 millions in the United States, the equivalent of nowadays $596,878,264 and AFI ranked it #28 on the „ 100 Greates Comedies of all Time” list.

The plot of the movie is imaginative and very well written, the special effects were spectacular for it’s time and the cast was well put together, for both leading and supporting roles. Bill Murray portrayed Dr. Peter Venkman, Dan Aykroyd – Dr. Raymond Stantz, Sigourney Weaver – Dana Barrett and Harold Ramis – Dr. Egon Spengler.

Times columnist Caitlin Moran sparked quite a bit of controversy with her article titled “Sorry Star Wars fans, but Ghostbusters is the best film ever made!” I didn’t read such a funny, yet thought provoking article for a very long time. Great stuff, well worth reading. What do you think? Is she right?

Ghostbusters – Oscar nominations

1985,  Best Effects / Visual Effects: Richard Edlund, John Bruno, Mark Vargo, Chuck Gaspar

Best Music / Original Song: Ray Parker Jr.

8. Vertigo (1958)

Great story with original plot twists, obsessive passions, astonishingly visceral music, spine-tingling suspense, mystery…in one word: Vertigo! Vertigo’s screenplay is credited to Samuel Taylor and Alec Coppel. It  was an adaption of P. Boileau’s and T. Narcejac’s novel, D’Entre les Morts (Between Deaths / The Living and the Dead).

Although Hitchcock’s Vertigo was nominated for only two Oscars, and won none, it is widely regarded as a masterpiece. Hitchcock perfectly combined multiple levels to create a complex movie. On a literal level, Vertigo tells the  suspense-filled mystery story of a man manipulated into acting as an accomplice in a crime. On the other hand, the film’s psychological level reveals a man’s dark and twisted psyche full of fears and laden with guilt. The story follows Scottie’s obsessive fantasies and the desire to end his existential vertigo, “desperately searching for an object on which to concentrate its repressed energy”. (Magill’s Survey of Cinema) The movie explores the dangerous link between desire and death, between falling in love and falling. Finally, at a deeper and metaphorical level, Vertigo retells the ancient legend of Orpheus and Eurydice. John “Scottie” Ferguson, just like Orpheus, travels into the terrifying underworld to reclaim his lost love. These multiple levels blur the fine line between subjectivity and objectivity.

Vertigo – Oscar nominations

1959, Best Art Direction-Set Decoration / Black-and-White or Color: Hal Pereira, Henry Bumstead, Sam Comer, Frank R. McKelvy

Best Sound: George Dutton

7. Basic Instinct (1992)

Written by Joe Eszterhas and directed by Paul Verhoeven, Basic Instinct features Michael Douglas, Sharon Stone, Jeanne Tripplehorn and George Dzundza. The film generated major controversy  due to its steamy love scenes, overt sexuality and intense acts of violence.

A diabolical killer, a brutal murder, a police detective who can’t resist the temptation of danger, and a mysterious femme fatale who promises carnal pleasures, but delivers death. What more can we ask for? Basic Instinct was immensely successful upon release. It was one of the highest grossing movies of that year.

While Frank J. Urioste got nominated for Best Film Editing and Jerry Goldsmith  for Best Music, Sharone Stone and Paul Verhoeven were left out. Still can’t believe that Basic Instinct didn’t win a single Oscar.

Basic Instinct – Oscar nominations

1993, Best Film Editing: Frank J. Urioste

Best Music / Original Score: Jerry Goldsmith

6. Fatal Attraction (1987)

Can you trust that 26 directors rejected Fatal Attraction because they considered it uncommercial? One thing is for sure: Fatal Attraction was not ignored upon its release in 1987. It was the year’s most intensely debated movie, grossing over $320 million at the box office. Fatal Attraction was such a massive hit because it gave the audience something different. As Tom Hanks stated in Sleepless in Seattle: “Fatal Attraction scared the shit out of every man in America.” All the actors’ performances were outstanding. AFI ranked Glenn Close for portaying Alex Forrest #7 on its “100 Years…100 Heroes and Villains” list.
Although popular with six nominations, Fatal Attraction didn’t win any Academy Awards.

Fatal Attraction – Oscar nomincations

1988, Best Actress in a Leading Role: Glenn Close

Best Actress in a Supporting Role: Anne Archer

Best Director: Adrian Lyne

Best Film Editing: Michael Kahn, Peter E. Berger

Best Picture: Stanley R. Jaffe, Sherry Lansing

Best Writing, Screenplay Based on Material from Another Medium: James Dearden

5. Frost/Nixon (2008)

Ron Howard’s Frost/Nixon is a sharp historical drama adapted from a theatre play by Peter Morgan. Certain characters and actions have been fictionalized, but the plot is based on the famous 1977 interviews. The highlights of the movie are Frank Langella as former US President Richard Nixon and Michael Sheen as British journalist David Frost. The confrontations between these two ambitious men are truly electrifying. While Nixon struggled to regain his reputation by reminding America of his political achievements, Frost aspired to be recognized as a prominent journalist, he wanted to be admired and respected. Frost/Nixon was nominated for five Academy Awards, but lost most of the awards to Slumdog Millionaire. I’ll never understand how this fantastic movie lost to Slumdog Millionaire…

Frost/Nixon – Oscar nominations

2009, Best Achievement in Directing: Ron Howard

Best Achievement in Editing: Mike Hill, Daniel P. Hanley

Best Motion Picture of the Year: Brian Grazer, Ron Howard, Eric Fellner

Best Performance by an Actor in a Leading Role: Frank Langella

Best Writing, Screenplay Based on Material Previously Produced or Published: Peter Morgan

4. The Godfather, Part III (1990)

The third part of The Godfather trilogy is another interesting movie that failed to win an Academy Award, despite being nominated seven times. The American gangster film received mixed reviews. While Washington Post columnist Bal Hinson wrote “The man who made those two masterpieces is not the man who has given us this failed final chapter… you can’t help but see The Godfather Part III as his headstone”, Sun-Times critic Roger Ebert considerd it a “beautiful-looking film, a beautiful-feeling film, it’s great to see these people again. It’s interesting the way they dig in to the controversy invlving the Catholic Church.”

The Godfather, Part III – Oscar nominations

1991, Best Actor in a Supporting Role: Andy Garcia

Best Art Direction-Set Decoration: Dean Tavoularis, Gary Fettis

Best Cinematography: Gordon Willis

Best Director: Francis Ford Coppola

Best Film Editing: Barry Malkin, Lisa Fruchtman, Walter Murch

Best Music / Original Song: Carmine Coppola (music), John Bettis (lyrics) For the song “Promise Me You’ll Remember”.

Best Picture: Francis Ford Coppola

3. Once Upon A Time in America

One of the last memorable epics to come out of Hollywood is Sergio Leone’s Once Upon a Time in America starring Robert De Niro and James Woods. And I am talking about the original version with a running time of 227 minutes. Once Upon a Time in America was so heavily edited for its U.S. theatrical release, that the Italian film director was left inconsolable. He never made another film after Once Upon a Time in America. Unfortunately, the movie’s most interesting scenes are missing from the short version and the plot is kind of hard to understand. The full-length version of the crime drama explores the lives of a group of Jewish immigrants, chronicling their childhoods and years of glory as gangsters in America.
Why Leone’s masterpiece never received an Oscar, let alone a nomination, remains a mystery.

2. The Shawshank Redemption (1994)

The Shawshank Redemption is an inspiring ‘lesson’ on how to unleash our full potential by embracing new challenges, building on our strengths and having the courage to fight back against life’s injustices and miseries. “Get busy living…or get busy dying. That’s god damn right.” Just like Red (Morgan Freeman) said.

Although The Shawshank Redemption depicts the story of two men who become close friends while serving life sentences in a maximum security prison, it is not the typical prison drama. Frank Darabont defied all conventions of the genre (bullying, violence, crime, hopelessness of a life) to reveal new themes: friendship, determination, survival and faith. The cast is headed by Tim Robbins, Morgan Freeman and Bob Gunton. Yet, despite all of its greatness and 7 Oscar nominations, The Shawshank Redemption did not succeed in winning one.

The Shawshank Redemption – Oscar nominations

1995,  Best Actor in a Leading Role: Morgan Freeman

Best Cinematography: Roger Deakins

Best Film Editing: Richard Francis-Bruce

Best Music / Original Score: Thomas Newman

Best Picture: Niki Marvin

Best Sound: Robert J. Litt, Elliot Tyson, Michael Herbick, Willie D. Burton

Best Writing, Screenplay Based on Material from Another Medium: Frank Darabont

1.Psycho (1960)

Here we are at number one: immortal Psycho! No other movie had such a great psychological impact on the audience as Psycho had in its time. Hailed as the father of modern suspense, Hitchcock broke all the conventions and created one of the best and scariest movies ever. However, it failed to win an Academy Award. Psycho influenced many films that came after it ( Silence of the Lambs, Portrait of a Serial Killer etc.) and helped shape the slasher genre. No wonder it tops AFI’s list of 100 most thrilling American movies.

Psycho connects directly with some of our most vivid emotions: terror, despair, fear, and this makes it immortal. The nightmarish movie’s themes of paranoia caused by isolation, voyeurism, the dual nature of the human psyche, the lack of distinction between reality and appearance, the supremacy of death over life and the way in which madness is represented make Psycho stand out as one most disturbing and violent films. But…“We all go a little mad sometimes. Haven’t you?” – Norman Bates

Psycho – Oscar nominations

1961, Best Actress in a Supporting Role: Janet Leigh

Best Art Direction-Set Decoration, Black-and-White: Joseph Hurley, Robert Clatworthy, George Milo

Best Cinematography, Black-and-White: John L. Russell

Best Director: Alfred Hitchcock

Top 10 Child Stars Whose Lives Were Not Ruined By Fame

Considering the scandal, tragedy, and failure that typically plague child stars after their careers end, you’d think any parent would keep their child as far away from a Hollywood studio as humanly possible. Yet, despite the numbers of child actors who end up as drug addicts, alcoholics, criminals, or worst of all- reality show participants, millions of stage moms and dads drag their kids along to audition after audition, hoping their child will become the next Gary Coleman or Lindsey Lohan. All while keeping their fingers crossed that they can skip all the numerous betrayals, arrests or humiliations that seem to plague so many kids who spend time in front of a camera. Maybe those parents are thinking of the precious few child actors whose lives don’t turn into tabloid meltdowns and court proceedings. Those few who manage to cheat Fate and actually become functioning, successful adults. Here are the top ten child stars who managed to beat the curse.

10. Christian Bale

In 1987, a 13 year old Christian Bale rocketed to international fame playing the lead role in Steven Spielberg’s film Empire of the Sun. Despite his previous acting experiences in commercials and made-for-TV movies, Bale was quite unprepared for the sudden, scary adulation that he received for the role in school and on the streets. Unnerved as his mostly normal childhood disappeared overnight, young Bale made the decision to quit acting for good. He didn’t of course, but that first distaste of fame may have been what allowed Bale to avoid the traps of child stardom. The critical acclaim he received for the role in Empire of the Sun brought offers from all corners of the movie world. Offers which Bale and his father manager carefully chose. Instead of cashing in on his instant fame, Bale Sr. guided his son to interesting roles and kept him far from the temptations and pitfalls of Hollywood. Bale built up an impressive resume and made a perfect transition form child actor to adult one. He now holds the enviable position of being a major star and a respected actor. Sure, he did yell at that poor guy on the set of the Terminator movie, but overall, he seems like a pretty together guy.

9. Danica McKellar

Like many child stars, Danica McKellar really only had one role of any note. Playing the next-door neighbour and object of Fred Savage’s preteen affections on the hit TV series The Wonder Years, McKellar was a supporting character on a big network show. Once The Wonder Years ended and adulthood approached, McKellar found that the roles were starting to dry up and producers weren’t all that interested in casting a former child star. A pretty standard beginning in the former child star arc. All that remained for McKellar was to get high, steal a car, and screw up her life in an embarrassing public flameout. She had other plans. First, she studied mathematics at UCLA, coauthored a paper on her own mathematical theorem, and wrote a best-selling book that encouraged young women to break stereotypes and excel at math. She still does acting work (mostly voice over) and she now has three books under her belt. She’s beautiful, smart, successful, and most importantly of all, grounded. Do you hear that Screech? There is a better way.

8. Kurt Russell

Yes, Mr. Badass himself was once a child star. The movies haven’t really stood the test of time and his later work has mostly overshadowed them, but Kurt Russell became a huge star as a Disney contract player in the 1970s. He spent most of the Sixties amassing TV roles, but it wasn’t until Disney signed him to a ten year contract that his career took off. Russell became a bona fide teen idol in flicks like Original Family Band (where he met his future wife Goldie Hawn) and The Computer Wore Tennis Shoes. He was even a semi-pro baseball player for a time before an injury ended his career. After his childhood stardom, Russell continued to act and despite some failures (he lost out to Harrison Ford for the role of Han Solo), eventually struck up a partnership with director John Carpenter which began with an Emmy-award winning turn as the King himself in Elvis and included iconic anti-hero roles in Escape from New York, The Thing, and Big Trouble in Little China. His career has continued unabated ever since, giving lie to the belief that all child actors have to end up dead, drunk, or ashamed.

7. Dakota Fanning

It may be a little presumptuous to claim Dakota Fanning has missed the perils and pitfalls of a former child star considering she’s only 16, but all signs point to a healthy, interesting career for the young woman. Starting out in commercials at the tender age of five, Fanning quickly rose through the child star ranks, appearing on popular TV series and eventually big budget movies. Even at her young age, people realized Fanning wasn’t just another cute kid. At seven, she was nominated for a Screen Actors Guild Award for her work in I Am Sam. She continued to give amazing performances in all sorts of movies, working in everything from thrillers to voice-over work for cartoons that blew away her co-stars and critics alike. Fanning drew controversy for a 2006 role in Hounddog which her character is raped. But, consummate professional that she is, she patiently explained that it was “a movie. It’s not really happening.” Comments like that, and her decision in 2009 to lay off any more lead roles until she finishes high school, are evidence enough that no matter how her career goes, Dakota Fanning is one person who isn’t going to let fame screw her up.

6. Shirley Temple (Black)

Shirley Temple may be one of the best examples of a child star who leaves the entertainment industry completely, but still has a successful life. In the early 30s, Shirley Temple was not only the biggest child star, she was the biggest star period. With her golden locks, expressive eyes, and cute-without-being-cloying personality, she captivated the nation and ruled the box office. As she grew up, her acting career began to fade as audiences had trouble accepting her as anything but an angelic child. This is the part of the story where drugs, alcohol and a string of failed marriages to seedy guys called Eddie are supposed to enter the picture. But Shirley Temple was raised too well for that. She married, had a family, and set out upon a new career. She still appeared in some films and on TV, but she turned most of her attention to politics. After a few failed runs for office, she became an ambassador and diplomat. Yes, the little girl who sailed one the Good Ship Lollypop became a government official. She represented the United States’ interests at the UN, in Ghana, and finally Czechoslovakia. She also served on the boards of many companies, and published a best-selling book about her experiences.

5. Seth Green

Outside of Hollywood movies and TV sitcoms, nobody likes a smartass kid. Unless they grow up to be a smartass adult. Take Seth Green. After a successful career as a child actor- including his first role playing a young version of Woody Allen in Radio Days– Green has built a solid, respectable career playing likable smartasses in geek favorites like Buffy the Vampire Slayer, Family Guy, and his own Robot Chicken. That just might be the secret. Compared to so many young actors who traffic in the idea that they are tortured artists and that acting in such a hard job, Seth Green seems to genuinely enjoy his life and career. That permanent smirk on his face isn’t because he’s a jerk, it’s because he realizes just how lucky he is to make a good living playing pretend with his buddies and making people laugh. That or he’s a big a-hole. Either way, he has successfully avoided the child star trap. And you got to respect him for it.

4. Christina Ricci

One of the main reasons a lot of child stars can’t make the transition to adult fame is that cute doesn’t age well. A person may be adorable as a child, but take those same features and put them on an adult face, and it just looks creepy. The one exception to that rule may be Christina Ricci. She was a pretty cute kid, but there’s something just slightly off about her as an adult. But luckily for her, it’s a good kind of off. The quirky kind of off that allows a young actress to stand out from the legions of dyed blonde robo-beauties that flood into Los Angeles every year looking for stardom. After a healthy start playing cute kids in big movies like Mermaids and The Addams Family, Christina Ricci made the transition to adult fame almost seamlessly. One minute she was a child actor in Casper, the next she was giving complex adult performances in Ice Storm and The Opposite of Sex. Her career has slowed down a little lately, but she’s still a great actress and a long way from appearing on a crappy reality show to make a quick buck.

3. Joseph Gordon-Levitt

Otherwise known as the only three named child actor you don’t want to punch in the face, Joseph Gordon-Levitt has one other defining feature that has spared him the indignities of the former child star curse; he’s a terrific actor. He first came to public attention playing the old alien trapped in a teenager’s body on Third Rock from the Sun. If you didn’t know his later work, after reading that last sentence, you’d be forgiven for assuming Levitt disappeared off the face of the earth once the show was over. And he did, kind of. Avoiding the simple path to glory that so many teen actors take, Levitt instead chose difficult roles in dark films. He played a male prostitute in Mysterious Skin, and a high school gumshoe in Brick. His radical strategy of only appearing in what he called “good movies,” Levitt built up a critical following and reputation as one of the most interesting up and coming actors in Hollywood. Levitt’s is still young (30) and his career is still beginning. His ability to avoid the pitfalls of childhood fame has  guaranteed audiences another great actor to watch for years to come.

2. Kirsten Dunst

Like Christina Ricci, Kirsten Dunst made transitioning from a child star into an adult seem like the easiest thing in the world. After a successful career as a child model and actress, Dunst made her breakthrough with a well-received role in Interview With A Vampire opposite Tom Cruise and Brad Pitt. She went on to star in several more hits as a kid and teenager, and eventually landed the plum role of Mary Jane in the Spiderman films. And just to keep things interesting, she also appeared in several romantic comedies and indie films as well as starting a fledgling singing career. But this is where Dunst’s story gets interesting. She actually battled with mental illness as an adult and stopped working and entered a rehab facility to battle depression. Sounds familiar, right? But unlike so many other of her former child star colleagues, Dunst got help and resumed her career with barely a hiccough. If only Dana Plato would have done the same.

1. Ron Howard

Studying the career or Ron Howard should be a requirement for any kid actor who wants a career that lasts longer than his 19^th birthday. For starters, Howard actually came back from being a former child star twice. In 1960, when he was six years old, he was cast as the precocious Opie on the Andy Griffith Show. Once that ended, he bounced around and turned in a few TV roles here and there, but it wasn’t until 1973 when he starred in American Graffiti and Happy Days that he was a star again. This time, Howard wasn’t prepared to let anyone but himself decide the future of his career. He left Happy Days at the height of its popularity and began a quest to become a director. Trading on his fame, he made a deal with B-movie producer Roger Corman to star in one of his movies, but only if he could direct another one himself. He did, and parlayed the experience into gigs directing TV and lower budget movies. The rest is history. Howard has directed major hits, critically acclaimed dramas, and has an Academy Award. Now that’s how you have a career, kids!

Top 10 Saturday Night Live Hosts

Hosting Saturday Night Live is a pretty thankless job. Hosts, who often having little or no comedy training, are expected to come in on a Monday and be hilarious by Saturday. Add to that that the show often has no idea what to do with the guests hosts besides some lame sketch that capitalizes on whatever show or movie they’re on, and it’s no wonder that the hosting position is often the weakest link in the show. Still, despite the odds being stacked against them, some guest hosts turn in amazing performances and even outshine the regular cast members. These are the Top Ten Saturday Night Live Hosts. In the interest of fairness, we’ve decided to exclude former cast members from consideration. If they can’t be good, nobody can.

10. Buck Henry

He hasn’t been on the show in years and there’s a good chance most people under the age of 30 have no idea who he is, but writer and comedian Buck Henry was one of the best SNL hosts of the 70s. Back in the glory days, Henry was the host of each of the show’s first four season finales, and he was an indelible part of the early show’s success. Like Steve Martin, he was involved in some of the greatest sketches of the era, and is often mistaken as a cast member. His work opposite John Belushi in the classic Samurai sketches is a master class in playing it straight and by itself merits his inclusion on this list. He also had a ton of other great characters and set the bar high for what a person could do in the hosting role.

Best Sketches: Various Samurai Customers, Uncle Roy

9. Drew Barrymore

Way back on November 20^th, 1982, a seven year old Drew Barrymore became the youngest person to ever host Saturday Night Live, a record she still holds to this day. Take that Macauly Culkin! Barrymore has gone on to host the show more than any other woman (6 times so far) and is one of only two ladies in the super-exclusive Five Timers Club, Candace Bergen being the other. Comedy in general is a man’s world, but every time Barrymore shows up on the SNL set, you know she’s going to be funny. Even if she isn’t (or the writers give her stinkers) she always charming and fun to watch. She’s also, like the people on this list, one of the few hosts who can carry a sketch, rather than just stand in the corner and say a line or two.

Best Sketches: The Welshly Arms Hotel Lovers, Disturbed Job Applicant

8. Paul Simon

If you don’t include his musical appearances, Paul Simon hasn’t appeared all that much on SNL. But when he does, he always turns in very funny and surprisingly sweet performances. Unlike other singers who shined on the show like Justin Timberlake, Simon has never really pursued a career as an actor, but from the awesome work he’s done on SNL, he certainly could have. Add to that his long list of knockout performances including a reunion with Art Garfunkel, an amazing duet with George Harrison, and the moving first episode after 911, and you have one entertainer that will always be welcome on the show.

Best Sketches: Desert Island Christmas, Still Crazy After All these Years in Turkey Costume

7. Christopher Walken

It’s always the ones you least expect. Before he made his first appearance on SNL, you would have been forgiven for thinking that Christopher Walken wasn’t a particularly funny guy. Intense? Yeah. Creepy? Sure. But hilarious in a live comedy setting? Probably not. But he was. Playing against his well established type, Walken is always totally fearless and totally funny when he comes to host SNL. Trading on his image and deadpan voice, he’s the perfect straight man, and if they let him cut loose, he can turn in a performance that’s edgy, weird ,and most importantly of all, very funny. SNL is frequently called out for playing it safe, but whenever Christopher Walken makes an appearance, you’re guaranteed the comedy will be a little on the bizarre side. And that’s why we love him.

Best Sketches: Behind the Music: Blue Oyster Cult, The Continental

6. Alec Baldwin

With the second highest number of hosting appearances, Alec Baldwin was another one of those people who surprised everybody by being amazingly funny right from the start. It seems hard to believe now, but Baldwin made his name in Hollywood as a serious actor and romantic lead. It wasn’t until he appeared on SNL that people even knew he could do comedy. These days, he recognized as one of the funniest comedic actors of his generation, and a lot of that has to do with the incredible stuff he did on SNL. Which of course led to him being cast on 30 Rock, where he continues to rack up the comedy accolades and awards. In a way, SNL allowed him to make the transition from dramatic lead to hilarious character actor. Well, that and his expanding waistline.

Best Sketches: Canteen Boy, Schwetty Balls

5. John Goodman

John Goodman got his start playing Roseanne Barr’s husband on Roseanne, so it shouldn’t come as surprise that he thrived in the comedic atmosphere of Saturday Night Live. During the Monica Lewinsky scandal, he practically became a regular cast member, returning week after week to portray whistle-blower Linda Tripp. Goodman has hosted the show a record 11 straight seasons in a row and is third overall in most appearances. SNL even joked about his incredible amount of appearances and included him as a potential cast member in one sketch. Goodman even helped replace John Belushi as one of the Blues Brothers, making him one of the few guest hosts to actually start in an SNL movie. Even if it was one as terrible as Blues Brothers 2000.

Best Sketches: Da Bears, various appearances as Linda Tripp

4. Justin Timberlake

Justin Timberlake is one of those great SNL hosts who comes on with low expectations and surprises everyone. When he first appeared in 2003, most people watching were expecting him to embarrassingly mug his way through a couple sketches, and hopefully not humiliate himself too badly in between his musical numbers. Instead, Timberlake knocked it out of the park. Not only was he game and gave it his all, he was actually as funny as the rest of the cast. He continues to appear on the show- often uncredited in the Lonely Island guys’ digital song parodies, and an episode with him hosting is usually a guarantee of a funny show that week. And these days, those are few amnd far between.

Best sketches: Dick in a Box, MotherLover

3. Jon Hamm

A relative newcomer to the SNL hosting game, Mad Men’s Jon Hamm has instantly become a show favourite. And can you blame them for loving this guy? He’s handsome, he’s funny, and he seems to have as much talent for dumb comedy as he does for searing drama. Not bad considering his signature role is a hard-drinking womanizer who’s life is always one step away from total collapse. SNL (never one to let a good thing go to waste) realized how well Hamm fit into the proceedings, and have had him back once a season since he first hosted back in 2008. His episodes have been among the highest rated in recent years and tend to be the funniest ones all year. Here’s to many, many more.

Best Sketches: Hamm and Buble, Don Draper at the Apollo

2. Tom Hanks

There are few Hollywood stars who are able to move from comedy to drama as easily as Tom Hanks. He started his career playing lovable idiots, moved on to playing idiots with sensitive hearts, and then out of nowhere became one of the best actors of his generation. On his many Saturday Night Live appearances over the years, he fits in like he’s always been there. He’s created memorable recurring characters, poked fun at himself like a pro, and generally looks like he was having a great time. How much more could you ask for from a guy who’s basically there to plug a movie?

Best Sketches : Two Lonely Guys, Mr. Short-term Memory

1. Steve Martin

Steve Martin was such a huge part of the early success of SNL that it’s hard not to think of him as a regular cast member. One of the show’s first break-out sketches was the Martin led “King Tut.” It was a profoundly silly sketch, but Martin’s performance in it as well as one of the Two Wild and Crazy Guys, helped turn SNL into an overnight sensation. Martin would go one to host dozens of episodes over the course of the show’s long history (most recently in 2009) and has become such a huge part of the mythology of SNL that he may as well be a cast member. At the very least, he deserves the same amount of credit for turning in funny performance after funny performance and helping to establish the show as the preeminent American comedy institution.

Top 10 Unique Post-Oscar Acting Careers

After winning an Oscar, an actor’s career is usually marked by the question: Did they live up to the award or not? Here are 10 Oscar-winning actors who have gone in completely different directions.

10. Donna Reed-Riding the Highs and Lows of Television

Best Supporting Actress for From Here to Eternity (1953)

Reed’s career after winning her Oscar was mostly in television. In 1958, she starred in The Donna Reed Show, which was produced by her husband. While Reed won her Oscar playing a prostitute, her show was so wholesome that, according to TV.com, it “won many awards from various civic, educational, and medical groups due to its handling of topics like adoption, prescription drug abuse, and home safety.” Since this was the 50’s and that’s what was popular on television, it was a big hit. Her other notable TV role, on Dallas 20 years later, was much less well-received. She was hired as a replacement actress for the character of Elle Ewing when original actress Barbara del Gettes left for health reasons. Accepting a different actress for the same character was not something audiences were prepared to do and the network had to fire Reed and bring del Gettes back due to popular demand.

9. Jamie Foxx-Multitalented Singer/Songwriter and Radio Host

Best Actor for Ray (2004)

Before he got into acting, Foxx was studying to be a classical pianist which helped him bond with Ray Charles so well during production as the two got to know each other by playing duets. After winning the Oscar for his eerily lifelike portrayal of Charles in Ray, he returned to music by releasing an album of original music. He’s since released two more and was even briefly considered as a replacement judge on American Idol after successful guest stints. He also hosts a show on Sirius radio called the Foxhole.

8. Gwyneth Paltrow-Lifestyle Blogger, Country Singer, and TV Guest Star

Best Actress for Shakespeare in Love (1998)

Paltrow’s Oscar for “Shakespeare in Love” was her crowning moment as the proverbial prom queen of Hollywood. Initially, Paltrow made career choices as if she wanted to backup her statuette with another by taking the kinds of roles that practically beg for a nomination: A suicidal poet in Sylvia and a tortured mathematician’s daughter in Proof. Since then, she’s seemingly given up on trying to validate herself as a high profile actress to an unforgiving press (the daughter of Hollywood royalty, she’s been derided as a product of nepotism). She started a lifestyle website, goop.com, which has gained a lot of notice. She also returned to the Oscars this past year, not as a nominee, but as a song performer for Country Strong. Throw in her hit appearances on Glee and Saturday Night Live this past year, and it’s fair to call her a reinvented woman.

7. Kevin Spacey-Real-life version of Jim Carrey in The Majestic

Best Supporting Actor for Usual Suspects (1995) and Best Actor for American Beauty (1999)

In 2003, Kevin Spacey was appointed the Artistic Director for one of the most prestigious theaters in London with no less daunting a task than saving it from insolvency.  The Old Vic Theater, which has operated since 1818, was slated for demolition by a new property owner just five years earlier. Spacey has picked up the occasional Hollywood role, but most of his focus for the last eight years has been on acting in and producing plays for the Old Vic. He also produced and acted in his dream project in 2004, Beyond the Sea, about the life of Bobby Darin. He even accompanied the film’s release with his own CD covering the crooner’s hits and followed it up with a musical tour that summer.

6. Luise Rainer-Pioneer for Discontented Stars Everywhere

Best Actress for The Great Ziegfeld (1936) and The Good Earth (1937)

Some of the more cynical Oscar recipients (George C Scott, Alan Arkin, Sideways screenwriter Alexander Payne, etc.) have bemoaned the idea of competition or been otherwise apathetic. Luise Rainer, on the other hand, is unique in believing that the actual act of being voted on by a body of her peers as actress of the year was what ruined her career. “Nothing worse could have happened to me,” she’s said. Rainer felt that the increased fame and the way she was treated as a star left her disconnected from other actors she was used to collaborating with and she also felt that the studio put her in overly commercial projects. She complained about this loudly to the press which led to a mutually beneficial divorce between her and employer MGM Studios. Although she was lured to the screen occasionally, she retired from acting. She spent the rest of her life maintaining a 43-year marriage, writing articles, travelling, producing art, and sporadically dabbling in theater. This past March, she turned 101.

5. Whoopi Goldberg-Stand-up Artist and Media Icon

Won: Best Supporting Actress for Ghost (1990)

Whoopi Goldberg was once on a conventional path to stardom as an actress with roles in diverse high-profile films such as Soapdish, The Player and The Color Purple. Her Oscar win in Ghost was the culmination of that route but it was nearing the end of that phase of her career.  Casting directors today are probably not even considering Whoopi for prestige parts in films because she’s not really known as an actress anymore. With stints hosting the Oscars, participating in the annual charity event Comic Relief, doing stand-up comedy and co-hosting The View, she’s more of a media icon nowadays. She also took a role on a TV show, Star Trek: The Next Generation, simply because she was a fan of the show.

4. Richard Dreyfuss-Professor Emeritus

Won Best Actor for The Goodbye Girl (1977)

An Oscar-winner at the age of 29 (only two Best Actor winners have won the award before turning 30), Dreyfuss has immersed himself in academia where his primary interests include civics, education, government and rhetoric. He was a scholar-in-residence at England’s ultra-prestigious Oxford University where he served as a Senior Research Advisory Member of St. Antony’s College. In addition, he served for 12 years on the Board of  the National Constitution Center and founded the non-profit institute Dreyfuss Initiative dedicated to reviving civic conversation in American culture and improving the teaching of civics in elementary education. He still acts occasionally but he openly admitted in interviews for his film Poseidon that he now just acts for the money and that his passions lie elsewhere.

3. Glenda Jackson-Member of Parliament

Won Best Actress for A Touch of Class (1973) and Women in Love (1970)

Like many actors, British actress Glenda Jackson used her high profile to spout out on various political opinions. Unlike most other actors, however, she took it upon herself to get into politics. An outspoken opponent of Prime Minister Margaret Thatcher and the Conservative Party, Jackson decided to run for Parliament in 1992 and won. There were some expectations that she would coast through parliament based on her previous fame as a movie star, but she immediately took an interest in transportation and was eventually appointed Junior Transportation Minister in 1997. She also unsuccessfully ran for the Mayor of London in 2000.

2. Gig Young-Double Murder-Suicide

Won Best Supporting Actor for They Shoot Horses, Don’t They (1969)

Young’s tragic post-Oscar path was certainly unique because he’s very likely (Hollywood was a sordid place of scandal in the Golden Age so you never know) the only Oscar winner to commit murder  (his fifth wife three weeks into marriage) followed immediately thereafter by his own suicide. Young had a long history with alcoholism and psychological problems before and after his Oscar despite having a long career as a character actor and leaving behind a trail of friends and admirers. His low point was being carried off the set of Blazing Saddles in an ambulance on the first day of shooting (suffering an alcohol-induced delirium tremens), forcing production to replace him with Gene Wilder. His Oscar later became the center of a legal battle when his sole child, Jennifer Young, fought his agent for ownership of the physical statue. Jennifer Young is currently producing a documentary on Gig that has yet to find a distributor.

1. Grace Kelly-Princess of Monaco

Won Best Actress for The Country Girl (1954)

Gig Young’s downfall into suicide made for an immensely fascinating story, but to end the list on a more upbeat note, I’m going to give the top spot to the woman who met Mr. Right and became a princess. Quite literally. When her film, The Country Girl premiered at the Cannes Film Festival in France, she was invited for a photo session with the prince of Monaco whom she would later marry. This marked the end of a 5-year acting career that’s as remarkable an output as anyone could have in such a short span. By marrying Prince Rainier, she also saved the tiny principality (if you can’t find that country on the globe, try a magnifying glass: it’s the second smallest country in the world) from dissolution. A 1918 Treaty stipulated that if the Prince of Monaco couldn’t produce a male heir, then it would be surrendered to France. Rainer’s first fiance was rumored to be infertile and when the Prince met Grace Kelly at Cannes, he was supposedly in search of a new bride.

Top 10 Best Picture Winners Weren’t That Great

Only 83 films have won Best Picture to date and the general sentiment is that winning the big prize ensures that your film will have a place among the classics. Here are 10 films that won the grand prize that are not considered classics today:

10. The Broadway Melody, 1929

Since sound was introduced into the movies in 1927, film studios realized the potential almost immediately of combining films with musical numbers. Released two years after the first talkie, The Broadway Melody was MGM’s first big-scale musical number. Heavily promoted by studio head Louis B. Mayer, the cliché-ridden film would win the 2nd best picture Oscar in history among what film historian Tim Dirks notes as, “some of the weakest films in the history of American cinema, reflecting the chaos of the transition from silents to sound films.” Although MGM would be synonymous with the best of the musical genre some fifteen years down the road, the early years of MGM’s musical branch were films so formulaic that they didn’t even bother changing the name for subsequent installments. They were simply known as The Broadway Melody of ____ with the year of release in the blank.

9. Cimarron, 1931

Cimarron is one of just three Westerns to win an Oscar. The film centers around a restless newspaper editor seeking to start a new life with his family in the newly opened territory of Oklahoma and covers a 40-year span in which he deserts his family but eventually comes back to fight for Indians’ rights. Despite its eventual pro-Indian stance, the film squanders its good will to modern viewers through its highly stereotypical representation of the Jewish tailor and the African American servant characters. The film has eight out of fourteen good reviews on rottentomatoes.com which clears it from being the worst-reviewed best picture winner (The Broadway Melody has 38%) but even the good reviews aren’t particularly enthusiastic about the film. One of the positive reviews, by Dennis Schwartz, says the film is “badly outdated, overly sentimental, the performance by Richard Dix that was well-received back then now seems overblown,” but he inexplicably gives the film a B-. If there’s a bright spot to the film, it’s the performance of Irene Dunne who was able to survive the transition to talkies through what most critics agree was a great performance.

8. Cavalcade, 1933

Cavalcade chronicles the story of a British family over two generations as they cope with war, societal change, and the sinking of the Titanic (one of the family members was on board). This film won in a year when Hollywood started to get comfortable enough with sound that many films broke out of the mold and revolutionized their genres, whether it was the message picture (I am a Fugitive from a Chain Gang), the musical (42^nd Street), the big budget action film (King Kong) or the risqué comedy (She Done Him Wrong). Ironically, it was also the first year in which the overproduced British period piece won the top prize. There’s no doubt that Hollywood owes a great debt to England’s grand theatrical tradition and its immensely talented pool of classically trained actors but the Academy’s being blind-sided by anything and everything British has led to most every baffling decision the Academy has made for best picture, which will be a recurring theme here.

7. You Can’t Take it With You, 1938

Frank Capra was the 1930′s version of Spielberg and Scorsese rolled into one. He was the most respected, revered and commercially successful director of his time. His visions of homespun Americana gave hope to millions during the Great Depression. You Can’t Take it With You was Capra’s third Oscar-winning film in the course of 6 years, and it was no doubt a popular film. The film, however, is something like Capra’s 7th or 8th best film today behind such classics that came nowhere close to winning an Oscar as It’s a Wonderful Life, Mr. Smith Goes to Washington or Arsenic and Old Lace. The film centers on the zany antics when the granddaughter of an eccentric free-spirited professor invites her straight-laced in-laws for dinner. Aside from being overshadowed by so many other Frank Capra films, the film is also  unremarkable because it’s not very much of a departure from the Pulitzer-prize winning stage play by George Kaufman and Moss Hart.

6. Mrs. Miniver, 1942

During World War II, Hollywood sought to assist with the war effort however it could. Top directors such as John Ford, John Huston and more made propaganda pictures and Hollywood produced wholesome images of homespun Americana and family life (Meet me in Saint Louis is a prime example) so that moviegoers could be reminded at the movies exactly what they were fighting for. At the same time, this was the Golden Age of film in which American cinema was really advancing as an art form. The Oscars during these years pitted the wholesome yet unremarkable films against the edgier film noirs, screwball comedies, or melodramas.  Mrs. Miniver, although depicting the idyll and noble life of a British family on the advent of war, was one such unremarkable film. It did make for some good propoganda. Winston Churchill wrote a thank-you note to MGM head Louis B. Mayer saying that the film was “Propoganda worth a hundred battleships.”

5. Around the World in 80 Days, 1956

This film is a fun, scenic romp best known for its endless string of cameos by the likes of Frank Sinatra, Cesar Romero, Charles Coburn, Red Skelton, Marlene Dietrich, and many more. It’s speculated that the film won only because all the actors with cameos voted for their own film. Even if the film is more popcorn entertainment than a great film, credit still should be given to producer Mike Todd (one former husband of the late Elizabeth Taylor) for his sheer ambition. Employing a record 33 assistant directors, Todd personally jetted to Pakistan, India, China and Thailand to meet with Kings and princes to secure the most luxurious locations he could find. Getting half of Hollywood to appear in his film wasn’t easy either: Todd spent months asking any actor with even a mild curiosity about the film to appear in a small role. In fact, it can be said that this film originated the very concept of the cameo.

4. The Greatest Show on Earth, 1952

This is a film that centers around the trials and tribulations of a travelling circus (the title comes from the motto for Barnum and Bailey’s Circus). Audiences hear about the film and the storied career of its director, Cecille B. DeMille, every year because the Lifetime Achievement Award at the Golden Globes is named after him. Upon receiving the award, for example, Spielberg paid tribute to The Greatest Show on Earth by saying that he practically owes his career to this film having recreated the famous train crash scene in his living room over and over as a kid. Even if we take Spielberg at his word (he’s known to embellish his stories), he’s in the minority of people who took anything inspirational from the film. When I did an informal poll among other film buffs in preparation for this list, they all insisted that this was the most forgettable entry be included. Like Around the World in 80 Days, the film is more spectacle than it is timeless. Outside of that one train crash scene, the film doesn’t offer much of the grand sights of a film like Around the World in 80 Days. Unless you’re a humongous circus fan you should just catch them live when they’re in town.

3. Oliver!, 1968

To be fair, British Director Carol Reed did produce at least one classic in The Third Man almost 20 years before he was handed a make-up award for this film. The adaptation of the classic Charles Dickens novel Oliver Twist had the necessary pedigree of Britishness (see the Mrs Miniver entry) and came during a decade in which musicals were in fashion with the Oscars (3 other films from the 1960′s also won Best Picture). Ironically, among the other two front-runners that year, The Lion in the Winter also had the British pedigree and Funny Girl was a musical.

2. Chariots of Fire, 1981

Today, the film is only remembered for its synthetic score that’s been reused for athletic montages in practically every movie since. The tale, examining the conflicting journeys to glory of two British gold medalist runners in the 1924 Olympics, isn’t so much a bad film as a massive surprise in a crowded field of great films that included Raiders of the Lost Ark, Reds, Atlantic City and On Golden Pond. Roger Ebert wrote that when he met the producers and the directors of the film at that year’s Cannes film festival before the film had found an American distributor, they told him that they didn’t think their film would even play in America, let alone win an Oscar. Ebert also speculated that in today’s movie market, it would likely have not survived more than one weekend in the theaters.

1. The English Patient, 1996

An epic love story set at the close of World War II centering on the search for the identity of a plane crash survivor, the film isn’t necessarily bad but it has been ignored by pretty much every list of great films (Empire Magazine, National Society of Film Critics, the AFI, Time Out, etc.) . The film is mostly remembered today for being the basis of a Seinfeld episode in which Elaine is driven insane in trying to avoid being ostracized for being the only one of her friends who doesn’t like the film. It’s worth noting that as Elaine’s friends in that Seinfeld episode love the film, it opened to some remarkably good reviews. Susan Stark of Detroit News famously called it the best film she’s seen in 16 years of reviewing cinema. While Best Picture winners of the 1990′s like Forrest Gump (which beat out Quiz Show, Pulp Fiction, and The Shawshank Redemption) and Dances with Wolves (which beat out Goodfellas) are now almost universally hated for taking the trophy away from those beloved films, The English Patient seems to have faded into oblivion.  Even though some might hate it for taking the honor away from Shine or Fargo, both nominated that year.